Le Flaubert de Charles Du Bos

Charles Du Bos devoted an unflagging attention to Flaubert’s work (except for Bouvard et Pécuchet, which, apparently, according to him did not exist), to Madame Bovary and in particular L’Éducation sentimentale. The connection between his essay “Sur le milieu intérieur chez Flaubert”, written in 192...

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Main Author: Jacques Neefs
Format: Article
Language:fra
Published: Institut des Textes & Manuscrits Modernes (ITEM) 2009-01-01
Series:Flaubert: Revue Critique et Génétique
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Online Access:https://journals.openedition.org/flaubert/544
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author Jacques Neefs
author_facet Jacques Neefs
author_sort Jacques Neefs
collection DOAJ
description Charles Du Bos devoted an unflagging attention to Flaubert’s work (except for Bouvard et Pécuchet, which, apparently, according to him did not exist), to Madame Bovary and in particular L’Éducation sentimentale. The connection between his essay “Sur le milieu intérieur chez Flaubert”, written in 1921, and extracts from his Journal, from 1923 to 1937, the comparisons with Gogol, Thomas Hardy, Tolstoy, Baudelaire, and Henry James that run through the writings of Du Bos, allow us to follow what he terms “the spiritual experience” of a materiality encompassed in the conquest of the triple demand of the Beautiful, the Living, the Truth. Du Bos detects the power of Flaubert’s work in the “disproportion” of his style, and the power of absorption that forms the density of his prose, showing an extraordinary process of conversion. The obscure spiritual experience thus pursued is that of an absolute in art, the paradoxical experience of a “mystic who believes in nothing” (as Flaubert called himself), which the critic links to a questioning of his own conversion.
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spelling doaj-art-c87b17d0bb514a2ebc07899be7567cd52025-02-05T16:29:48ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912009-01-01110.4000/flaubert.544Le Flaubert de Charles Du BosJacques NeefsCharles Du Bos devoted an unflagging attention to Flaubert’s work (except for Bouvard et Pécuchet, which, apparently, according to him did not exist), to Madame Bovary and in particular L’Éducation sentimentale. The connection between his essay “Sur le milieu intérieur chez Flaubert”, written in 1921, and extracts from his Journal, from 1923 to 1937, the comparisons with Gogol, Thomas Hardy, Tolstoy, Baudelaire, and Henry James that run through the writings of Du Bos, allow us to follow what he terms “the spiritual experience” of a materiality encompassed in the conquest of the triple demand of the Beautiful, the Living, the Truth. Du Bos detects the power of Flaubert’s work in the “disproportion” of his style, and the power of absorption that forms the density of his prose, showing an extraordinary process of conversion. The obscure spiritual experience thus pursued is that of an absolute in art, the paradoxical experience of a “mystic who believes in nothing” (as Flaubert called himself), which the critic links to a questioning of his own conversion.https://journals.openedition.org/flaubert/544Flaubert GustaveDu Bos Charlesartreceptionstyle
spellingShingle Jacques Neefs
Le Flaubert de Charles Du Bos
Flaubert: Revue Critique et Génétique
Flaubert Gustave
Du Bos Charles
art
reception
style
title Le Flaubert de Charles Du Bos
title_full Le Flaubert de Charles Du Bos
title_fullStr Le Flaubert de Charles Du Bos
title_full_unstemmed Le Flaubert de Charles Du Bos
title_short Le Flaubert de Charles Du Bos
title_sort le flaubert de charles du bos
topic Flaubert Gustave
Du Bos Charles
art
reception
style
url https://journals.openedition.org/flaubert/544
work_keys_str_mv AT jacquesneefs leflaubertdecharlesdubos