Activisme culturel au Centre Georges-Pompidou. Le photoreportage exposé (1977-1997)
During the final quarter of the twentieth century, photography progressively enjoyed cultural and artistic legitimisation in French institutions. Photo-reportage also profited from this process in order to respond to the protean crisis affecting its milieu. While it was not clear at first for a muse...
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| Format: | Article |
| Language: | fra |
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École du Louvre
2017-05-01
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| Series: | Les Cahiers de l'École du Louvre |
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| Online Access: | https://journals.openedition.org/cel/591 |
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| author | Assia Quesnel |
| author_facet | Assia Quesnel |
| author_sort | Assia Quesnel |
| collection | DOAJ |
| description | During the final quarter of the twentieth century, photography progressively enjoyed cultural and artistic legitimisation in French institutions. Photo-reportage also profited from this process in order to respond to the protean crisis affecting its milieu. While it was not clear at first for a museum to include reportage photography, all of the departments of the Centre Pompidou sought to increase the status of the practice by making it part of the establishment’s cultural programming from 1977 to 1997, whatever the status imparted (document, work of art, cultural object). The Centre Pompidou thus appears as a place for the consecration of photo-reportage and the media. As for contemporary art, the institution was a place that activated photo-reportage especially in the decision to defend young artists, to show an interest in non-Western countries, and the commissioning of reportages. |
| format | Article |
| id | doaj-art-c83f15d28b3f49ffa18d3456c200a1d8 |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2017-05-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-c83f15d28b3f49ffa18d3456c200a1d82025-01-30T14:00:07ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2017-05-011010.4000/cel.591Activisme culturel au Centre Georges-Pompidou. Le photoreportage exposé (1977-1997)Assia QuesnelDuring the final quarter of the twentieth century, photography progressively enjoyed cultural and artistic legitimisation in French institutions. Photo-reportage also profited from this process in order to respond to the protean crisis affecting its milieu. While it was not clear at first for a museum to include reportage photography, all of the departments of the Centre Pompidou sought to increase the status of the practice by making it part of the establishment’s cultural programming from 1977 to 1997, whatever the status imparted (document, work of art, cultural object). The Centre Pompidou thus appears as a place for the consecration of photo-reportage and the media. As for contemporary art, the institution was a place that activated photo-reportage especially in the decision to defend young artists, to show an interest in non-Western countries, and the commissioning of reportages.https://journals.openedition.org/cel/591photographic reportagephoto-reportageartistic and cultural legitimisationCentre Pompidouexhibitionsdocument |
| spellingShingle | Assia Quesnel Activisme culturel au Centre Georges-Pompidou. Le photoreportage exposé (1977-1997) Les Cahiers de l'École du Louvre photographic reportage photo-reportage artistic and cultural legitimisation Centre Pompidou exhibitions document |
| title | Activisme culturel au Centre Georges-Pompidou. Le photoreportage exposé (1977-1997) |
| title_full | Activisme culturel au Centre Georges-Pompidou. Le photoreportage exposé (1977-1997) |
| title_fullStr | Activisme culturel au Centre Georges-Pompidou. Le photoreportage exposé (1977-1997) |
| title_full_unstemmed | Activisme culturel au Centre Georges-Pompidou. Le photoreportage exposé (1977-1997) |
| title_short | Activisme culturel au Centre Georges-Pompidou. Le photoreportage exposé (1977-1997) |
| title_sort | activisme culturel au centre georges pompidou le photoreportage expose 1977 1997 |
| topic | photographic reportage photo-reportage artistic and cultural legitimisation Centre Pompidou exhibitions document |
| url | https://journals.openedition.org/cel/591 |
| work_keys_str_mv | AT assiaquesnel activismeculturelaucentregeorgespompidoulephotoreportageexpose19771997 |