Voiler et dévoiler : temps et illusion dans Alumbramiento de Víctor Erice

Since the beginning of his career, Víctor Erice's filmography has been built around two major questions: the notion of time in the cinema and the relationship between filmed image and real image, two inseparable elements in so far as any filmic image is made up, precisely, of time. In a very fe...

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Main Author: Miguel Rodrigo
Format: Article
Language:English
Published: Centre de Recherches Ibériques et Ibéro-Américaines 2020-01-01
Series:Cahiers de Civilisation Espagnole Contemporaine
Subjects:
Online Access:https://journals.openedition.org/ccec/8786
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author Miguel Rodrigo
author_facet Miguel Rodrigo
author_sort Miguel Rodrigo
collection DOAJ
description Since the beginning of his career, Víctor Erice's filmography has been built around two major questions: the notion of time in the cinema and the relationship between filmed image and real image, two inseparable elements in so far as any filmic image is made up, precisely, of time. In a very fertile tension, Erice's cinema integrates this reflexive dimension into stories that do not question the conventions of traditional cinema: the construction of the plot and the characters aims to recreate a "plausible" temporality, a framework more or less comparable to the daily experience that the spectator has of time. Alumbramiento, his latest film, is a particularly relevant example: organically integrated into a very classic narrative scheme, a bold reflection unfolds on the illusory nature of cinematic time while respecting the artifice that makes it possible.
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series Cahiers de Civilisation Espagnole Contemporaine
spelling doaj-art-c797ceff8e9f4b9ab69f275f07ac8d8c2025-01-30T10:10:45ZengCentre de Recherches Ibériques et Ibéro-AméricainesCahiers de Civilisation Espagnole Contemporaine1957-77612020-01-012310.4000/ccec.8786Voiler et dévoiler : temps et illusion dans Alumbramiento de Víctor EriceMiguel RodrigoSince the beginning of his career, Víctor Erice's filmography has been built around two major questions: the notion of time in the cinema and the relationship between filmed image and real image, two inseparable elements in so far as any filmic image is made up, precisely, of time. In a very fertile tension, Erice's cinema integrates this reflexive dimension into stories that do not question the conventions of traditional cinema: the construction of the plot and the characters aims to recreate a "plausible" temporality, a framework more or less comparable to the daily experience that the spectator has of time. Alumbramiento, his latest film, is a particularly relevant example: organically integrated into a very classic narrative scheme, a bold reflection unfolds on the illusory nature of cinematic time while respecting the artifice that makes it possible.https://journals.openedition.org/ccec/8786poetryreflectivitytimeilusionismplay
spellingShingle Miguel Rodrigo
Voiler et dévoiler : temps et illusion dans Alumbramiento de Víctor Erice
Cahiers de Civilisation Espagnole Contemporaine
poetry
reflectivity
time
ilusionism
play
title Voiler et dévoiler : temps et illusion dans Alumbramiento de Víctor Erice
title_full Voiler et dévoiler : temps et illusion dans Alumbramiento de Víctor Erice
title_fullStr Voiler et dévoiler : temps et illusion dans Alumbramiento de Víctor Erice
title_full_unstemmed Voiler et dévoiler : temps et illusion dans Alumbramiento de Víctor Erice
title_short Voiler et dévoiler : temps et illusion dans Alumbramiento de Víctor Erice
title_sort voiler et devoiler temps et illusion dans alumbramiento de victor erice
topic poetry
reflectivity
time
ilusionism
play
url https://journals.openedition.org/ccec/8786
work_keys_str_mv AT miguelrodrigo voileretdevoilertempsetillusiondansalumbramientodevictorerice