De la restauration à l’exposition : à la recherche de sens et de cohérence
This article focuses on the gap existing between the restoration of a painting and its presentation to the general public. The case study is a painting by Michel Serre, an artist working in Provence in the 17th-18th centuries. During the alloted time for restoration, studies and interventions of num...
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| Main Authors: | , , , , |
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| Format: | Article |
| Language: | English |
| Published: |
Association CeROArt
2010-04-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ceroart/1422 |
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| _version_ | 1832578133073592320 |
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| author | Christine Benoit Paméla Grimaud Claude Badet Elisabeth Mognetti Roland May |
| author_facet | Christine Benoit Paméla Grimaud Claude Badet Elisabeth Mognetti Roland May |
| author_sort | Christine Benoit |
| collection | DOAJ |
| description | This article focuses on the gap existing between the restoration of a painting and its presentation to the general public. The case study is a painting by Michel Serre, an artist working in Provence in the 17th-18th centuries. During the alloted time for restoration, studies and interventions of numerous actors –conservators, curators, art historians, photographers and conservation scientists – have been focusing on the achievement of the restoration. Translating this "doing" into a "making of" for the exhibition implies reconstruction / analytical aggregation steps, which echo mystery investigation : clues, at the beginning appart, converge towards building links and new standpoints presented in the exhibition. |
| format | Article |
| id | doaj-art-c74fac9d3f144f4895d197f2f235dfe4 |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2010-04-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-c74fac9d3f144f4895d197f2f235dfe42025-01-30T14:13:11ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922010-04-01510.4000/ceroart.1422De la restauration à l’exposition : à la recherche de sens et de cohérenceChristine BenoitPaméla GrimaudClaude BadetElisabeth MognettiRoland MayThis article focuses on the gap existing between the restoration of a painting and its presentation to the general public. The case study is a painting by Michel Serre, an artist working in Provence in the 17th-18th centuries. During the alloted time for restoration, studies and interventions of numerous actors –conservators, curators, art historians, photographers and conservation scientists – have been focusing on the achievement of the restoration. Translating this "doing" into a "making of" for the exhibition implies reconstruction / analytical aggregation steps, which echo mystery investigation : clues, at the beginning appart, converge towards building links and new standpoints presented in the exhibition.https://journals.openedition.org/ceroart/1422restorationexhibitiondocumentation |
| spellingShingle | Christine Benoit Paméla Grimaud Claude Badet Elisabeth Mognetti Roland May De la restauration à l’exposition : à la recherche de sens et de cohérence CeROArt : Conservation, Exposition, Restauration d'Objets d'Art restoration exhibition documentation |
| title | De la restauration à l’exposition : à la recherche de sens et de cohérence |
| title_full | De la restauration à l’exposition : à la recherche de sens et de cohérence |
| title_fullStr | De la restauration à l’exposition : à la recherche de sens et de cohérence |
| title_full_unstemmed | De la restauration à l’exposition : à la recherche de sens et de cohérence |
| title_short | De la restauration à l’exposition : à la recherche de sens et de cohérence |
| title_sort | de la restauration a l exposition a la recherche de sens et de coherence |
| topic | restoration exhibition documentation |
| url | https://journals.openedition.org/ceroart/1422 |
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