‘Dolls in Agony’: Vernon Lee in Southern Spain

When Vernon Lee visited Southern Spain in 1889, she found the Catholic practices of the country extremely unsettling. The overloaded decoration of the churches and the preference for representations of bleeding Christs were, in Lee’s eyes, ‘obscene’ and ‘excessive’. Above all, the Spanish madonnas,...

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Main Author: Leire Barrera-Medrano
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2016-05-01
Series:Cahiers Victoriens et Edouardiens
Subjects:
Online Access:https://journals.openedition.org/cve/2457
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author Leire Barrera-Medrano
author_facet Leire Barrera-Medrano
author_sort Leire Barrera-Medrano
collection DOAJ
description When Vernon Lee visited Southern Spain in 1889, she found the Catholic practices of the country extremely unsettling. The overloaded decoration of the churches and the preference for representations of bleeding Christs were, in Lee’s eyes, ‘obscene’ and ‘excessive’. Above all, the Spanish madonnas, always represented ‘in agony’, distressed her. Lee’s open repulsion to the Catholic country and especially to the Spanish representations of the Virgin Mary would prompt her to write ‘The Virgin of the Seven Daggers’, the most consciously Decadent of all her works: a sacrilegious tale in which Catholic and Moorish Spain are intertwined to explore notions of spiritual and moral perversity. This essay thus examines the relatively unnoticed visit that Lee made to Southern Spain and suggests that, besides its disturbing character, the grotesque Spanish Catholicism that Lee found in 1889 resulted in fruitful productivity: it contributed to shape Lee’s pacifist aesthetic conscience and awakened her imagination.
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series Cahiers Victoriens et Edouardiens
spelling doaj-art-c6d55c0c93e74b128dc17de267c853e62025-01-30T10:21:37ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492016-05-018310.4000/cve.2457‘Dolls in Agony’: Vernon Lee in Southern SpainLeire Barrera-MedranoWhen Vernon Lee visited Southern Spain in 1889, she found the Catholic practices of the country extremely unsettling. The overloaded decoration of the churches and the preference for representations of bleeding Christs were, in Lee’s eyes, ‘obscene’ and ‘excessive’. Above all, the Spanish madonnas, always represented ‘in agony’, distressed her. Lee’s open repulsion to the Catholic country and especially to the Spanish representations of the Virgin Mary would prompt her to write ‘The Virgin of the Seven Daggers’, the most consciously Decadent of all her works: a sacrilegious tale in which Catholic and Moorish Spain are intertwined to explore notions of spiritual and moral perversity. This essay thus examines the relatively unnoticed visit that Lee made to Southern Spain and suggests that, besides its disturbing character, the grotesque Spanish Catholicism that Lee found in 1889 resulted in fruitful productivity: it contributed to shape Lee’s pacifist aesthetic conscience and awakened her imagination.https://journals.openedition.org/cve/2457DecadenceCatholicismLee (Vernon)Spainsupernaturalcosmopolitanism
spellingShingle Leire Barrera-Medrano
‘Dolls in Agony’: Vernon Lee in Southern Spain
Cahiers Victoriens et Edouardiens
Decadence
Catholicism
Lee (Vernon)
Spain
supernatural
cosmopolitanism
title ‘Dolls in Agony’: Vernon Lee in Southern Spain
title_full ‘Dolls in Agony’: Vernon Lee in Southern Spain
title_fullStr ‘Dolls in Agony’: Vernon Lee in Southern Spain
title_full_unstemmed ‘Dolls in Agony’: Vernon Lee in Southern Spain
title_short ‘Dolls in Agony’: Vernon Lee in Southern Spain
title_sort dolls in agony vernon lee in southern spain
topic Decadence
Catholicism
Lee (Vernon)
Spain
supernatural
cosmopolitanism
url https://journals.openedition.org/cve/2457
work_keys_str_mv AT leirebarreramedrano dollsinagonyvernonleeinsouthernspain