Figures de l’excès dans Zuleika Dobson de Max Beerbohm : de la difficulté d’être dandy
In the study of Zuleika Dobson by Max Beerbohm, excess will be studied from three different perspectives. It will stand first as an oblique process of trial, then as a form of abscess that should be cured, and finally as an access to a higher level of meaning and being. These variations allow heroes...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2006-12-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/13266 |
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| _version_ | 1832581329695277056 |
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| author | Gilbert Pham-Thanh |
| author_facet | Gilbert Pham-Thanh |
| author_sort | Gilbert Pham-Thanh |
| collection | DOAJ |
| description | In the study of Zuleika Dobson by Max Beerbohm, excess will be studied from three different perspectives. It will stand first as an oblique process of trial, then as a form of abscess that should be cured, and finally as an access to a higher level of meaning and being. These variations allow heroes and narrator alike to shift their respective approach to otherness, first rejecting, then integrating and finally assimilating it. The paper will also attempt to assess how the novel contributes to a reflexion on dandyism both in general terms and in the particular case of Max Beerbohm. |
| format | Article |
| id | doaj-art-c6cab047e2994e699b21ba08304a7891 |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2006-12-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-c6cab047e2994e699b21ba08304a78912025-01-30T10:21:02ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492006-12-016310.4000/cve.13266Figures de l’excès dans Zuleika Dobson de Max Beerbohm : de la difficulté d’être dandyGilbert Pham-ThanhIn the study of Zuleika Dobson by Max Beerbohm, excess will be studied from three different perspectives. It will stand first as an oblique process of trial, then as a form of abscess that should be cured, and finally as an access to a higher level of meaning and being. These variations allow heroes and narrator alike to shift their respective approach to otherness, first rejecting, then integrating and finally assimilating it. The paper will also attempt to assess how the novel contributes to a reflexion on dandyism both in general terms and in the particular case of Max Beerbohm.https://journals.openedition.org/cve/13266 |
| spellingShingle | Gilbert Pham-Thanh Figures de l’excès dans Zuleika Dobson de Max Beerbohm : de la difficulté d’être dandy Cahiers Victoriens et Edouardiens |
| title | Figures de l’excès dans Zuleika Dobson de Max Beerbohm : de la difficulté d’être dandy |
| title_full | Figures de l’excès dans Zuleika Dobson de Max Beerbohm : de la difficulté d’être dandy |
| title_fullStr | Figures de l’excès dans Zuleika Dobson de Max Beerbohm : de la difficulté d’être dandy |
| title_full_unstemmed | Figures de l’excès dans Zuleika Dobson de Max Beerbohm : de la difficulté d’être dandy |
| title_short | Figures de l’excès dans Zuleika Dobson de Max Beerbohm : de la difficulté d’être dandy |
| title_sort | figures de l exces dans zuleika dobson de max beerbohm de la difficulte d etre dandy |
| url | https://journals.openedition.org/cve/13266 |
| work_keys_str_mv | AT gilbertphamthanh figuresdelexcesdanszuleikadobsondemaxbeerbohmdeladifficultedetredandy |