Denying the Dichotomy: Word Images in The Waves
Roger Fry’s introduction to Britain of the works of Post-impressionist painters was to impact significantly on the artistic development of writers including Virginia Woolf. Out of this convergence of visual and verbal thought, The Waves emerged; a literary work deeply implicated in visual convention...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2006-12-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/12499 |
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| _version_ | 1832581329483464704 |
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| author | Bernadette McCarthy |
| author_facet | Bernadette McCarthy |
| author_sort | Bernadette McCarthy |
| collection | DOAJ |
| description | Roger Fry’s introduction to Britain of the works of Post-impressionist painters was to impact significantly on the artistic development of writers including Virginia Woolf. Out of this convergence of visual and verbal thought, The Waves emerged; a literary work deeply implicated in visual convention. Its pictorial interludes represent an inseparable union of word and image. I propose to examine these passages with a visual art critical lens and to consider them as one would a series of paintings. |
| format | Article |
| id | doaj-art-c6bfc6dd003d447a92b5d7ddf6198655 |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2006-12-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-c6bfc6dd003d447a92b5d7ddf61986552025-01-30T10:21:19ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492006-12-016410.4000/cve.12499Denying the Dichotomy: Word Images in The WavesBernadette McCarthyRoger Fry’s introduction to Britain of the works of Post-impressionist painters was to impact significantly on the artistic development of writers including Virginia Woolf. Out of this convergence of visual and verbal thought, The Waves emerged; a literary work deeply implicated in visual convention. Its pictorial interludes represent an inseparable union of word and image. I propose to examine these passages with a visual art critical lens and to consider them as one would a series of paintings.https://journals.openedition.org/cve/12499 |
| spellingShingle | Bernadette McCarthy Denying the Dichotomy: Word Images in The Waves Cahiers Victoriens et Edouardiens |
| title | Denying the Dichotomy: Word Images in The Waves |
| title_full | Denying the Dichotomy: Word Images in The Waves |
| title_fullStr | Denying the Dichotomy: Word Images in The Waves |
| title_full_unstemmed | Denying the Dichotomy: Word Images in The Waves |
| title_short | Denying the Dichotomy: Word Images in The Waves |
| title_sort | denying the dichotomy word images in the waves |
| url | https://journals.openedition.org/cve/12499 |
| work_keys_str_mv | AT bernadettemccarthy denyingthedichotomywordimagesinthewaves |