Philosophy of grammatical person(s) in Erté’s work

The greatest designer Erté combined the unpredictable revitalization of ornament and the literalization of sensuality, the subordination of feelings to the paradigmatic plan of expressiveness. This allowed Roland Barthes to give a convincing semiotic interpretation of the artistэs work in 1975. In t...

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Main Authors: Markov Alexander Viktorovich, Shtayn Oksana Aleksandrovna
Format: Article
Language:English
Published: Institute of Modern Humanitarian Researches 2024-12-01
Series:Studia Humanitatis
Subjects:
Online Access:https://st-hum.ru/en/node/1371/
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author Markov Alexander Viktorovich
Shtayn Oksana Aleksandrovna
author_facet Markov Alexander Viktorovich
Shtayn Oksana Aleksandrovna
author_sort Markov Alexander Viktorovich
collection DOAJ
description The greatest designer Erté combined the unpredictable revitalization of ornament and the literalization of sensuality, the subordination of feelings to the paradigmatic plan of expressiveness. This allowed Roland Barthes to give a convincing semiotic interpretation of the artistэs work in 1975. In the same year Erté released his autobiography, where he presented the dialogical origins of his work. The paper points out the common sides of the artist’s autoreflection and the philosopher’s reflection on his work, and concludes on the significance of the distinction of the first, second and third person of the dialog for Erté's auto-communicating artistic programs and for the semiology of late Barthes.
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spelling doaj-art-c5df9858e91b48e384551151f1fdc9952025-01-28T00:38:55ZengInstitute of Modern Humanitarian ResearchesStudia Humanitatis2308-80792024-12-014Philosophy of grammatical person(s) in Erté’s workMarkov Alexander Viktorovich0Shtayn Oksana Aleksandrovna1Russian State University for the Humanities (Moscow, Russia)Ural Federal University named after the first President of Russia B.N. Yeltsin (Yekaterinburg, Russia)The greatest designer Erté combined the unpredictable revitalization of ornament and the literalization of sensuality, the subordination of feelings to the paradigmatic plan of expressiveness. This allowed Roland Barthes to give a convincing semiotic interpretation of the artistэs work in 1975. In the same year Erté released his autobiography, where he presented the dialogical origins of his work. The paper points out the common sides of the artist’s autoreflection and the philosopher’s reflection on his work, and concludes on the significance of the distinction of the first, second and third person of the dialog for Erté's auto-communicating artistic programs and for the semiology of late Barthes.https://st-hum.ru/en/node/1371/semiologysemioticsdesignertéroland barthesgrammatical category of personornamentpoetics of imageautocommunication
spellingShingle Markov Alexander Viktorovich
Shtayn Oksana Aleksandrovna
Philosophy of grammatical person(s) in Erté’s work
Studia Humanitatis
semiology
semiotics
design
erté
roland barthes
grammatical category of person
ornament
poetics of image
autocommunication
title Philosophy of grammatical person(s) in Erté’s work
title_full Philosophy of grammatical person(s) in Erté’s work
title_fullStr Philosophy of grammatical person(s) in Erté’s work
title_full_unstemmed Philosophy of grammatical person(s) in Erté’s work
title_short Philosophy of grammatical person(s) in Erté’s work
title_sort philosophy of grammatical person s in erte s work
topic semiology
semiotics
design
erté
roland barthes
grammatical category of person
ornament
poetics of image
autocommunication
url https://st-hum.ru/en/node/1371/
work_keys_str_mv AT markovalexanderviktorovich philosophyofgrammaticalpersonsinerteswork
AT shtaynoksanaaleksandrovna philosophyofgrammaticalpersonsinerteswork