La femme allaitant des serpents et ses liens avec la Luxure

Since the nineteenth century, it is a fact recognized by all that the woman suckling snakes in Romanesque sculpture is a representation of lust. However, several elements would tend to strongly put in perspective this affirmation. The few texts encountered on this motive come as much from the regist...

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Main Author: Raphaël Guesuraga
Format: Article
Language:fra
Published: Centre d'Études Médievales Auxerre 2020-01-01
Series:Bulletin du Centre d’Études Médiévales d’Auxerre
Subjects:
Online Access:https://journals.openedition.org/cem/16670
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author Raphaël Guesuraga
author_facet Raphaël Guesuraga
author_sort Raphaël Guesuraga
collection DOAJ
description Since the nineteenth century, it is a fact recognized by all that the woman suckling snakes in Romanesque sculpture is a representation of lust. However, several elements would tend to strongly put in perspective this affirmation. The few texts encountered on this motive come as much from the register of sexuality as that of motherhood. A serial study of the iconographic type also relativizes the sexual nature of this woman with snakes, who is not always naked, who almost never sex attacked. Conversely, an investigation of the representations of Lust as a capital sin throughout the Middle Ages shows that it is rather depicted as a woman looking in a mirror than by a woman suckling snakes. In these conditions, it would be less the generic representation of lust, than a category of women particularly stigmatized by the Romanesque patrons.
format Article
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institution Kabale University
issn 1623-5770
1954-3093
language fra
publishDate 2020-01-01
publisher Centre d'Études Médievales Auxerre
record_format Article
series Bulletin du Centre d’Études Médiévales d’Auxerre
spelling doaj-art-c5bdaa0b6eb34d26ad71ba689a007c902025-01-30T11:13:33ZfraCentre d'Études Médievales AuxerreBulletin du Centre d’Études Médiévales d’Auxerre1623-57701954-30932020-01-0123210.4000/cem.16670La femme allaitant des serpents et ses liens avec la LuxureRaphaël GuesuragaSince the nineteenth century, it is a fact recognized by all that the woman suckling snakes in Romanesque sculpture is a representation of lust. However, several elements would tend to strongly put in perspective this affirmation. The few texts encountered on this motive come as much from the register of sexuality as that of motherhood. A serial study of the iconographic type also relativizes the sexual nature of this woman with snakes, who is not always naked, who almost never sex attacked. Conversely, an investigation of the representations of Lust as a capital sin throughout the Middle Ages shows that it is rather depicted as a woman looking in a mirror than by a woman suckling snakes. In these conditions, it would be less the generic representation of lust, than a category of women particularly stigmatized by the Romanesque patrons.https://journals.openedition.org/cem/16670womansucklingdevouringsnakelust
spellingShingle Raphaël Guesuraga
La femme allaitant des serpents et ses liens avec la Luxure
Bulletin du Centre d’Études Médiévales d’Auxerre
woman
suckling
devouring
snake
lust
title La femme allaitant des serpents et ses liens avec la Luxure
title_full La femme allaitant des serpents et ses liens avec la Luxure
title_fullStr La femme allaitant des serpents et ses liens avec la Luxure
title_full_unstemmed La femme allaitant des serpents et ses liens avec la Luxure
title_short La femme allaitant des serpents et ses liens avec la Luxure
title_sort la femme allaitant des serpents et ses liens avec la luxure
topic woman
suckling
devouring
snake
lust
url https://journals.openedition.org/cem/16670
work_keys_str_mv AT raphaelguesuraga lafemmeallaitantdesserpentsetsesliensaveclaluxure