Constructing Sonic Heritage: The Accumulation of Knowledge in the Context of Sound Archives

This paper argues that sonic heritage does not exist per se, but is socially constructed. rather it arises from various measures of accumulating knowledge with respect to the collected sounds. a variety of actors, for example, scholars, or foundations, participate in this process by editing parts of...

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Main Author: Johannes Müske
Format: Article
Language:English
Published: Sciendo 2011-03-01
Series:Journal of Ethnology and Folkloristics
Online Access:https://www.jef.ee/index.php/journal/article/view/4
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author Johannes Müske
author_facet Johannes Müske
author_sort Johannes Müske
collection DOAJ
description This paper argues that sonic heritage does not exist per se, but is socially constructed. rather it arises from various measures of accumulating knowledge with respect to the collected sounds. a variety of actors, for example, scholars, or foundations, participate in this process by editing parts of the collections, publishing ethnographic or historic studies, and conducting digitisation projects. In this context, sound collections are identified as ‘cultural heritage’ as a consequence and result of archival practices. The processes that are linked to cultural heritage will be outlined and discussed in the present research in line with the model of the social construction of technology (SCOT). More specifically, the social construction of sonic heritage will be illustrated with a case study on the Edison-cylinders collection in the Berlin Phonogramm-archiv, UNESCo Memory of the world since 2000.
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institution Kabale University
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publishDate 2011-03-01
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record_format Article
series Journal of Ethnology and Folkloristics
spelling doaj-art-c48f359d51cd404a8af5fed62549ef0c2025-02-02T20:55:19ZengSciendoJournal of Ethnology and Folkloristics1736-65182228-09872011-03-014137474Constructing Sonic Heritage: The Accumulation of Knowledge in the Context of Sound ArchivesJohannes Müske0University of HamburgThis paper argues that sonic heritage does not exist per se, but is socially constructed. rather it arises from various measures of accumulating knowledge with respect to the collected sounds. a variety of actors, for example, scholars, or foundations, participate in this process by editing parts of the collections, publishing ethnographic or historic studies, and conducting digitisation projects. In this context, sound collections are identified as ‘cultural heritage’ as a consequence and result of archival practices. The processes that are linked to cultural heritage will be outlined and discussed in the present research in line with the model of the social construction of technology (SCOT). More specifically, the social construction of sonic heritage will be illustrated with a case study on the Edison-cylinders collection in the Berlin Phonogramm-archiv, UNESCo Memory of the world since 2000.https://www.jef.ee/index.php/journal/article/view/4
spellingShingle Johannes Müske
Constructing Sonic Heritage: The Accumulation of Knowledge in the Context of Sound Archives
Journal of Ethnology and Folkloristics
title Constructing Sonic Heritage: The Accumulation of Knowledge in the Context of Sound Archives
title_full Constructing Sonic Heritage: The Accumulation of Knowledge in the Context of Sound Archives
title_fullStr Constructing Sonic Heritage: The Accumulation of Knowledge in the Context of Sound Archives
title_full_unstemmed Constructing Sonic Heritage: The Accumulation of Knowledge in the Context of Sound Archives
title_short Constructing Sonic Heritage: The Accumulation of Knowledge in the Context of Sound Archives
title_sort constructing sonic heritage the accumulation of knowledge in the context of sound archives
url https://www.jef.ee/index.php/journal/article/view/4
work_keys_str_mv AT johannesmuske constructingsonicheritagetheaccumulationofknowledgeinthecontextofsoundarchives