Rolprent, Televisie en die Omgewing
Against the background of the realist and expressionist film theories it is argued in this article that directors of films/videos on the environment should work in a more realistic style. The purpose should be to develop closer contact between the viewer and the environment. A brief descrip tion of...
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| Format: | Article |
| Language: | English |
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University of Johannesburg
2022-11-01
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| Series: | Communicare |
| Subjects: | |
| Online Access: | https://journals.uj.ac.za/index.php/jcsa/article/view/2015 |
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| _version_ | 1832593830667354112 |
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| author | Pieter Jacobus Fourie |
| author_facet | Pieter Jacobus Fourie |
| author_sort | Pieter Jacobus Fourie |
| collection | DOAJ |
| description |
Against the background of the realist and expressionist film theories it is argued in this article that directors of films/videos on the environment should work in a more realistic style. The purpose should be to develop closer contact between the viewer and the environment. A brief descrip tion of realism and expressionism as two dominant styles in filmmaking and of Direct cinema and cinéma vérité is given, and the implications of these styles for the relationship Image/environment are discussed.
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| format | Article |
| id | doaj-art-c432e87d557f425b9a84a14c32ab4859 |
| institution | Kabale University |
| issn | 0259-0069 2957-7950 |
| language | English |
| publishDate | 2022-11-01 |
| publisher | University of Johannesburg |
| record_format | Article |
| series | Communicare |
| spelling | doaj-art-c432e87d557f425b9a84a14c32ab48592025-01-20T08:46:02ZengUniversity of JohannesburgCommunicare0259-00692957-79502022-11-019210.36615/jcsa.v9i2.2015Rolprent, Televisie en die OmgewingPieter Jacobus Fourie0University of South Africa Against the background of the realist and expressionist film theories it is argued in this article that directors of films/videos on the environment should work in a more realistic style. The purpose should be to develop closer contact between the viewer and the environment. A brief descrip tion of realism and expressionism as two dominant styles in filmmaking and of Direct cinema and cinéma vérité is given, and the implications of these styles for the relationship Image/environment are discussed. https://journals.uj.ac.za/index.php/jcsa/article/view/2015realist and expressionist film theoriesrealistic stylethe viewer and the environmentfilmmakingDirect cinema and cinéma vérité |
| spellingShingle | Pieter Jacobus Fourie Rolprent, Televisie en die Omgewing Communicare realist and expressionist film theories realistic style the viewer and the environment filmmaking Direct cinema and cinéma vérité |
| title | Rolprent, Televisie en die Omgewing |
| title_full | Rolprent, Televisie en die Omgewing |
| title_fullStr | Rolprent, Televisie en die Omgewing |
| title_full_unstemmed | Rolprent, Televisie en die Omgewing |
| title_short | Rolprent, Televisie en die Omgewing |
| title_sort | rolprent televisie en die omgewing |
| topic | realist and expressionist film theories realistic style the viewer and the environment filmmaking Direct cinema and cinéma vérité |
| url | https://journals.uj.ac.za/index.php/jcsa/article/view/2015 |
| work_keys_str_mv | AT pieterjacobusfourie rolprenttelevisieendieomgewing |