« The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)

Many historians have focused on Charles I, his reign but his representations. Their impact within the context of his personal rule and of the Civil Wars, leading up to the Regicide, has been the object of many studies, yet what can be said of the image of his wife? This paper examines the representa...

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Main Author: Alice Leroy
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2021-10-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/11369
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author Alice Leroy
author_facet Alice Leroy
author_sort Alice Leroy
collection DOAJ
description Many historians have focused on Charles I, his reign but his representations. Their impact within the context of his personal rule and of the Civil Wars, leading up to the Regicide, has been the object of many studies, yet what can be said of the image of his wife? This paper examines the representations of Henrietta Maria, the French Catholic princess he married, and the influence they held over the king’s own image. While her very presence reinforced the trope of Charles I as husband to the nation and father to his people, she also became a source of anxiety at a period when popery and the very institution of the monarchy came under violent attack from a part of the English people.
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institution Kabale University
issn 1272-3819
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language English
publishDate 2021-10-01
publisher Centre de Recherche "Texte et Critique de Texte"
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series Sillages Critiques
spelling doaj-art-c2b03f83d12c47eeb85f5a30094d22a52025-01-30T13:47:09ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022021-10-013010.4000/sillagescritiques.11369« The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)Alice LeroyMany historians have focused on Charles I, his reign but his representations. Their impact within the context of his personal rule and of the Civil Wars, leading up to the Regicide, has been the object of many studies, yet what can be said of the image of his wife? This paper examines the representations of Henrietta Maria, the French Catholic princess he married, and the influence they held over the king’s own image. While her very presence reinforced the trope of Charles I as husband to the nation and father to his people, she also became a source of anxiety at a period when popery and the very institution of the monarchy came under violent attack from a part of the English people.https://journals.openedition.org/sillagescritiques/11369portraitHenrietta MariaCharles Icultural studiesvisual studiesearly modern period
spellingShingle Alice Leroy
« The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)
Sillages Critiques
portrait
Henrietta Maria
Charles I
cultural studies
visual studies
early modern period
title « The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)
title_full « The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)
title_fullStr « The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)
title_full_unstemmed « The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)
title_short « The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)
title_sort the fault is that she is my wife l ambivalence des representations d henriette marie 1625 1649
topic portrait
Henrietta Maria
Charles I
cultural studies
visual studies
early modern period
url https://journals.openedition.org/sillagescritiques/11369
work_keys_str_mv AT aliceleroy thefaultisthatsheismywifelambivalencedesrepresentationsdhenriettemarie16251649