Second Time Round: Fugal Memory in Ciaran Carson’s For All We Know
The influence of musical traditions on Ciaran Carson’s work has long been noted. Carson’s use of fugue forms, especially in For All We Know (2008), however, suggests a different, and perhaps more political, relation to form than can be found in his earlier collections. As can be seen with comparison...
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| Format: | Article |
| Language: | English |
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European Federation of Associations and Centres of Irish Studies
2016-07-01
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| Series: | Review of Irish Studies in Europe |
| Subjects: | |
| Online Access: | https://www.imageandnarrative.be/index.php/rise/article/view/1240 |
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