Enquête interdisciplinaire autour du bodhisattva des Musées Royaux d’Art et d’Histoire de Bruxelles
Since its acquisition by the museum, the bodhisattva of RMAH had been identified as a Buddhist sculpture from the 10th century made of dry lacquer, a barely known Asian technique. However, a precise observation of the artwork raised doubts regarding this first identification. The ensuing interdiscip...
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Format: | Article |
Language: | English |
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Association CeROArt
2014-03-01
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Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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Online Access: | https://journals.openedition.org/ceroart/3928 |
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author | Audrey Dion |
author_facet | Audrey Dion |
author_sort | Audrey Dion |
collection | DOAJ |
description | Since its acquisition by the museum, the bodhisattva of RMAH had been identified as a Buddhist sculpture from the 10th century made of dry lacquer, a barely known Asian technique. However, a precise observation of the artwork raised doubts regarding this first identification. The ensuing interdisciplinary inquiry allowed a better understanding of the work and a reflexion about its new identity. |
format | Article |
id | doaj-art-c289305bcd424588b79f60a580823595 |
institution | Kabale University |
issn | 1784-5092 |
language | English |
publishDate | 2014-03-01 |
publisher | Association CeROArt |
record_format | Article |
series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
spelling | doaj-art-c289305bcd424588b79f60a5808235952025-01-30T14:12:58ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922014-03-01410.4000/ceroart.3928Enquête interdisciplinaire autour du bodhisattva des Musées Royaux d’Art et d’Histoire de BruxellesAudrey DionSince its acquisition by the museum, the bodhisattva of RMAH had been identified as a Buddhist sculpture from the 10th century made of dry lacquer, a barely known Asian technique. However, a precise observation of the artwork raised doubts regarding this first identification. The ensuing interdisciplinary inquiry allowed a better understanding of the work and a reflexion about its new identity.https://journals.openedition.org/ceroart/3928Chinainterdisciplinaritybodhisattvalacqueridentification |
spellingShingle | Audrey Dion Enquête interdisciplinaire autour du bodhisattva des Musées Royaux d’Art et d’Histoire de Bruxelles CeROArt : Conservation, Exposition, Restauration d'Objets d'Art China interdisciplinarity bodhisattva lacquer identification |
title | Enquête interdisciplinaire autour du bodhisattva des Musées Royaux d’Art et d’Histoire de Bruxelles |
title_full | Enquête interdisciplinaire autour du bodhisattva des Musées Royaux d’Art et d’Histoire de Bruxelles |
title_fullStr | Enquête interdisciplinaire autour du bodhisattva des Musées Royaux d’Art et d’Histoire de Bruxelles |
title_full_unstemmed | Enquête interdisciplinaire autour du bodhisattva des Musées Royaux d’Art et d’Histoire de Bruxelles |
title_short | Enquête interdisciplinaire autour du bodhisattva des Musées Royaux d’Art et d’Histoire de Bruxelles |
title_sort | enquete interdisciplinaire autour du bodhisattva des musees royaux d art et d histoire de bruxelles |
topic | China interdisciplinarity bodhisattva lacquer identification |
url | https://journals.openedition.org/ceroart/3928 |
work_keys_str_mv | AT audreydion enqueteinterdisciplinaireautourdubodhisattvadesmuseesroyauxdartetdhistoiredebruxelles |