L’appropriation du modèle du Louvre par les musées de province au tournant du xixe siècle

The Louvre, a central museum with a universal and encyclopaedic vocation, would seem to constitute at first glance an ideal and legitimate model for flourishing museums, particularly during a period such as the Revolution. The complex ties between provincial museums and the central administration an...

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Main Author: Camille Doutremépuich
Format: Article
Language:fra
Published: École du Louvre 2017-10-01
Series:Les Cahiers de l'École du Louvre
Subjects:
Online Access:https://journals.openedition.org/cel/794
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author Camille Doutremépuich
author_facet Camille Doutremépuich
author_sort Camille Doutremépuich
collection DOAJ
description The Louvre, a central museum with a universal and encyclopaedic vocation, would seem to constitute at first glance an ideal and legitimate model for flourishing museums, particularly during a period such as the Revolution. The complex ties between provincial museums and the central administration and the Louvre are in the image of a plural history of these institutions, teaching us that, fashioned by a profoundly local history made of both personal and collective initiatives, the museums experiencing multiple trajectories, modelled by the import of identity issues. It was between theorisation and material reality, via each museum’s intentions, that emerged the various forms of appropriation between museums.
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spelling doaj-art-c24bc85ebd5f433194c1ddf31712406f2025-01-30T14:00:08ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2017-10-011110.4000/cel.794L’appropriation du modèle du Louvre par les musées de province au tournant du xixe siècleCamille DoutremépuichThe Louvre, a central museum with a universal and encyclopaedic vocation, would seem to constitute at first glance an ideal and legitimate model for flourishing museums, particularly during a period such as the Revolution. The complex ties between provincial museums and the central administration and the Louvre are in the image of a plural history of these institutions, teaching us that, fashioned by a profoundly local history made of both personal and collective initiatives, the museums experiencing multiple trajectories, modelled by the import of identity issues. It was between theorisation and material reality, via each museum’s intentions, that emerged the various forms of appropriation between museums.https://journals.openedition.org/cel/794musée du LouvreappropriationRevolutiondrawing schoolfine arts schoolapprenticeship
spellingShingle Camille Doutremépuich
L’appropriation du modèle du Louvre par les musées de province au tournant du xixe siècle
Les Cahiers de l'École du Louvre
musée du Louvre
appropriation
Revolution
drawing school
fine arts school
apprenticeship
title L’appropriation du modèle du Louvre par les musées de province au tournant du xixe siècle
title_full L’appropriation du modèle du Louvre par les musées de province au tournant du xixe siècle
title_fullStr L’appropriation du modèle du Louvre par les musées de province au tournant du xixe siècle
title_full_unstemmed L’appropriation du modèle du Louvre par les musées de province au tournant du xixe siècle
title_short L’appropriation du modèle du Louvre par les musées de province au tournant du xixe siècle
title_sort l appropriation du modele du louvre par les musees de province au tournant du xixe siecle
topic musée du Louvre
appropriation
Revolution
drawing school
fine arts school
apprenticeship
url https://journals.openedition.org/cel/794
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