LE PARADOXE DU CRITIQUE D’ART: LA TENSION ENTRE PATHÉTIQUE ET IRONIE DEVANT LES TABLEAUX TOUCHANTS [PARADOX AS THE CRITIQUE OF ART: TENSION BETWEEN PATHOS AND IRONY OF THE “TOUCHING” PAINTINGS]
In his Salons, Denis Diderot pays special attention to “touching,” pathetic paintings, and his interest to J.-B. Greuze’s art is evidence to that. When Diderot turns to describe Greuze’s canvases or genre painting of J.-B. Le Prince or P. A. Baudouin, he finds himself within the framework of sentime...
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| Format: | Article |
| Language: | English |
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Russian Academy of Sciences, A.M. Gorky Institute of World Literature
2016-12-01
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| Series: | Studia Litterarum |
| Subjects: | |
| Online Access: | http://old.studlit.ru/1-3-4/Langbour.pdf |
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