‘I’m grown a man no doubt, I’ve broken bounds’—Robert Browning Crossing the Limits of Poetry

This paper will focus on Robert Browning’s poetic writings, and especially on the way his poems were a constant crossroads of formal choices, from his very first publications to his last poem. He tried and questioned every form, every genre and every mode. His poetry was undeniably one of crossing....

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Main Author: Jean-Charles Perquin
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2016-05-01
Series:Cahiers Victoriens et Edouardiens
Subjects:
Online Access:https://journals.openedition.org/cve/2451
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author Jean-Charles Perquin
author_facet Jean-Charles Perquin
author_sort Jean-Charles Perquin
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description This paper will focus on Robert Browning’s poetic writings, and especially on the way his poems were a constant crossroads of formal choices, from his very first publications to his last poem. He tried and questioned every form, every genre and every mode. His poetry was undeniably one of crossing. His poetry was never stable: as if he were impossible to satisfy or as if he never managed to create the ideal form, he systematically moved from one form to another, crossed, explored and combined genres and modes. Was it not one of the reasons why Oscar Wilde called him a ‘prose Browning’?
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spelling doaj-art-c1eb67e04fb1472f806b6b122983963e2025-01-30T10:21:37ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492016-05-018310.4000/cve.2451‘I’m grown a man no doubt, I’ve broken bounds’—Robert Browning Crossing the Limits of PoetryJean-Charles PerquinThis paper will focus on Robert Browning’s poetic writings, and especially on the way his poems were a constant crossroads of formal choices, from his very first publications to his last poem. He tried and questioned every form, every genre and every mode. His poetry was undeniably one of crossing. His poetry was never stable: as if he were impossible to satisfy or as if he never managed to create the ideal form, he systematically moved from one form to another, crossed, explored and combined genres and modes. Was it not one of the reasons why Oscar Wilde called him a ‘prose Browning’?https://journals.openedition.org/cve/2451Browning (Robert)poetrygenreVictorianformmode
spellingShingle Jean-Charles Perquin
‘I’m grown a man no doubt, I’ve broken bounds’—Robert Browning Crossing the Limits of Poetry
Cahiers Victoriens et Edouardiens
Browning (Robert)
poetry
genre
Victorian
form
mode
title ‘I’m grown a man no doubt, I’ve broken bounds’—Robert Browning Crossing the Limits of Poetry
title_full ‘I’m grown a man no doubt, I’ve broken bounds’—Robert Browning Crossing the Limits of Poetry
title_fullStr ‘I’m grown a man no doubt, I’ve broken bounds’—Robert Browning Crossing the Limits of Poetry
title_full_unstemmed ‘I’m grown a man no doubt, I’ve broken bounds’—Robert Browning Crossing the Limits of Poetry
title_short ‘I’m grown a man no doubt, I’ve broken bounds’—Robert Browning Crossing the Limits of Poetry
title_sort i m grown a man no doubt i ve broken bounds robert browning crossing the limits of poetry
topic Browning (Robert)
poetry
genre
Victorian
form
mode
url https://journals.openedition.org/cve/2451
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