L’art du théâtre de Howard Barker : la scène et la page en conflit
In his essays, Barker opposes the materiality of the theatre, that he despises, and the ideal of the art of theatre, to which he aspires. This distinction is best seen in his treatment of the dramatic text, both an object of fantasy in its written aspects, and an object of suspicion in its vocal dim...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2014-06-01
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| Series: | Sillages Critiques |
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| Online Access: | https://journals.openedition.org/sillagescritiques/4094 |
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| author | Vanasay Khamphommala |
| author_facet | Vanasay Khamphommala |
| author_sort | Vanasay Khamphommala |
| collection | DOAJ |
| description | In his essays, Barker opposes the materiality of the theatre, that he despises, and the ideal of the art of theatre, to which he aspires. This distinction is best seen in his treatment of the dramatic text, both an object of fantasy in its written aspects, and an object of suspicion in its vocal dimension. This paper examines how Barker concentrates these tensions around the object the book, an omnipresent element of his imagination and plays, to the point of threatening the stage itself as a better, if paradoxical, dramatic space. |
| format | Article |
| id | doaj-art-c197b11cb7c2479088425188ec4c4211 |
| institution | Kabale University |
| issn | 1272-3819 1969-6302 |
| language | English |
| publishDate | 2014-06-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj-art-c197b11cb7c2479088425188ec4c42112025-01-30T13:48:03ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022014-06-011810.4000/sillagescritiques.4094L’art du théâtre de Howard Barker : la scène et la page en conflitVanasay KhamphommalaIn his essays, Barker opposes the materiality of the theatre, that he despises, and the ideal of the art of theatre, to which he aspires. This distinction is best seen in his treatment of the dramatic text, both an object of fantasy in its written aspects, and an object of suspicion in its vocal dimension. This paper examines how Barker concentrates these tensions around the object the book, an omnipresent element of his imagination and plays, to the point of threatening the stage itself as a better, if paradoxical, dramatic space.https://journals.openedition.org/sillagescritiques/4094voicetheatreHoward Barkertheorybookstage |
| spellingShingle | Vanasay Khamphommala L’art du théâtre de Howard Barker : la scène et la page en conflit Sillages Critiques voice theatre Howard Barker theory book stage |
| title | L’art du théâtre de Howard Barker : la scène et la page en conflit |
| title_full | L’art du théâtre de Howard Barker : la scène et la page en conflit |
| title_fullStr | L’art du théâtre de Howard Barker : la scène et la page en conflit |
| title_full_unstemmed | L’art du théâtre de Howard Barker : la scène et la page en conflit |
| title_short | L’art du théâtre de Howard Barker : la scène et la page en conflit |
| title_sort | l art du theatre de howard barker la scene et la page en conflit |
| topic | voice theatre Howard Barker theory book stage |
| url | https://journals.openedition.org/sillagescritiques/4094 |
| work_keys_str_mv | AT vanasaykhamphommala lartdutheatredehowardbarkerlasceneetlapageenconflit |