Renaissance à Bulawayo, Zimbabwe : la ville dans The Stone Virgins de Yvonne Vera

In post-independence, violence-ridden Zimbabwe, Yvonne Vera’s main character in The Stone Virgins (2002), Nonceba, slowly returns to life after witnessing her sister’s murder and enduring brutal rape herself in their village. Her physical and mental reconstruction significantly takes place in the me...

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Main Author: Marie-Jeanne Gauffre
Format: Article
Language:English
Published: Presses Universitaires du Midi 2009-12-01
Series:Anglophonia
Subjects:
Online Access:https://journals.openedition.org/acs/1678
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author Marie-Jeanne Gauffre
author_facet Marie-Jeanne Gauffre
author_sort Marie-Jeanne Gauffre
collection DOAJ
description In post-independence, violence-ridden Zimbabwe, Yvonne Vera’s main character in The Stone Virgins (2002), Nonceba, slowly returns to life after witnessing her sister’s murder and enduring brutal rape herself in their village. Her physical and mental reconstruction significantly takes place in the metropolis of Bulawayo where she takes refuge. Indeed, both a protective shell and the centre of a network of streets opening out into the outer world, Bulawayo cons trasts with the confinement and paralysis of the main characters, whose injured selves echo outside chaos. Specifically, through Nonceba’s gradual journey out of her abysmal pain and destructive solitude to the welcoming potentiality of the city, the novel, unemphatically combining horror and beauty, testifies to the fragile—yet abiding—power of human bonds, and to the infinite resilience of the Zimbabwean people.
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spelling doaj-art-bf2fa532ac7b49d0b8e30f45dd68b05c2025-01-30T12:34:10ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662009-12-012536537610.4000/caliban.1678Renaissance à Bulawayo, Zimbabwe : la ville dans The Stone Virgins de Yvonne VeraMarie-Jeanne GauffreIn post-independence, violence-ridden Zimbabwe, Yvonne Vera’s main character in The Stone Virgins (2002), Nonceba, slowly returns to life after witnessing her sister’s murder and enduring brutal rape herself in their village. Her physical and mental reconstruction significantly takes place in the metropolis of Bulawayo where she takes refuge. Indeed, both a protective shell and the centre of a network of streets opening out into the outer world, Bulawayo cons trasts with the confinement and paralysis of the main characters, whose injured selves echo outside chaos. Specifically, through Nonceba’s gradual journey out of her abysmal pain and destructive solitude to the welcoming potentiality of the city, the novel, unemphatically combining horror and beauty, testifies to the fragile—yet abiding—power of human bonds, and to the infinite resilience of the Zimbabwean people.https://journals.openedition.org/acs/1678violencevilleYvonne VeraZimbabweBulawayoreconstruction
spellingShingle Marie-Jeanne Gauffre
Renaissance à Bulawayo, Zimbabwe : la ville dans The Stone Virgins de Yvonne Vera
Anglophonia
violence
ville
Yvonne Vera
Zimbabwe
Bulawayo
reconstruction
title Renaissance à Bulawayo, Zimbabwe : la ville dans The Stone Virgins de Yvonne Vera
title_full Renaissance à Bulawayo, Zimbabwe : la ville dans The Stone Virgins de Yvonne Vera
title_fullStr Renaissance à Bulawayo, Zimbabwe : la ville dans The Stone Virgins de Yvonne Vera
title_full_unstemmed Renaissance à Bulawayo, Zimbabwe : la ville dans The Stone Virgins de Yvonne Vera
title_short Renaissance à Bulawayo, Zimbabwe : la ville dans The Stone Virgins de Yvonne Vera
title_sort renaissance a bulawayo zimbabwe la ville dans the stone virgins de yvonne vera
topic violence
ville
Yvonne Vera
Zimbabwe
Bulawayo
reconstruction
url https://journals.openedition.org/acs/1678
work_keys_str_mv AT mariejeannegauffre renaissanceabulawayozimbabwelavilledansthestonevirginsdeyvonnevera