“Strange Sights and Sounds”: Indirection and the Rhetoric of the Feminine in Mary E. Wilkins Freeman’s Tales (1852-1930)

The following article analyzes the ways in which nineteenth-century regional writer Mary E. Wilkins Freeman (1852-1930) composes supernatural tales that address in a very indirect fashion disturbing issues such as child abuse, domestic violence and frustrated female desires. In her gothic-like domes...

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Main Author: Audrey Fogels
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2013-04-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/6022
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author Audrey Fogels
author_facet Audrey Fogels
author_sort Audrey Fogels
collection DOAJ
description The following article analyzes the ways in which nineteenth-century regional writer Mary E. Wilkins Freeman (1852-1930) composes supernatural tales that address in a very indirect fashion disturbing issues such as child abuse, domestic violence and frustrated female desires. In her gothic-like domestic tales, the climax of revelation is indeed continually deferred, as if the female storyteller could simply not tell her secret. Such a rhetoric of indirection becomes all the more intricate as these stories are haunted by spectral but authoritarian male figures whose presence both facilitates and blocks the possibility of revelation. This results in the production of ever-elusive meanings, in which the interaction between the masculine and the feminine plays a key role. In the end, if trauma lies at the heart of Freeman’s texts, it can only be revealed indirectly, in a rhetoric that Freeman links to the feminine.
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spelling doaj-art-bf228e0030454e25b32fef090eb5b83d2025-01-30T10:47:38ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662013-04-01110.4000/transatlantica.6022“Strange Sights and Sounds”: Indirection and the Rhetoric of the Feminine in Mary E. Wilkins Freeman’s Tales (1852-1930)Audrey FogelsThe following article analyzes the ways in which nineteenth-century regional writer Mary E. Wilkins Freeman (1852-1930) composes supernatural tales that address in a very indirect fashion disturbing issues such as child abuse, domestic violence and frustrated female desires. In her gothic-like domestic tales, the climax of revelation is indeed continually deferred, as if the female storyteller could simply not tell her secret. Such a rhetoric of indirection becomes all the more intricate as these stories are haunted by spectral but authoritarian male figures whose presence both facilitates and blocks the possibility of revelation. This results in the production of ever-elusive meanings, in which the interaction between the masculine and the feminine plays a key role. In the end, if trauma lies at the heart of Freeman’s texts, it can only be revealed indirectly, in a rhetoric that Freeman links to the feminine.https://journals.openedition.org/transatlantica/6022traumaNineteenth-century American women writersregional writersindirectiondeferralsuspension
spellingShingle Audrey Fogels
“Strange Sights and Sounds”: Indirection and the Rhetoric of the Feminine in Mary E. Wilkins Freeman’s Tales (1852-1930)
Transatlantica
trauma
Nineteenth-century American women writers
regional writers
indirection
deferral
suspension
title “Strange Sights and Sounds”: Indirection and the Rhetoric of the Feminine in Mary E. Wilkins Freeman’s Tales (1852-1930)
title_full “Strange Sights and Sounds”: Indirection and the Rhetoric of the Feminine in Mary E. Wilkins Freeman’s Tales (1852-1930)
title_fullStr “Strange Sights and Sounds”: Indirection and the Rhetoric of the Feminine in Mary E. Wilkins Freeman’s Tales (1852-1930)
title_full_unstemmed “Strange Sights and Sounds”: Indirection and the Rhetoric of the Feminine in Mary E. Wilkins Freeman’s Tales (1852-1930)
title_short “Strange Sights and Sounds”: Indirection and the Rhetoric of the Feminine in Mary E. Wilkins Freeman’s Tales (1852-1930)
title_sort strange sights and sounds indirection and the rhetoric of the feminine in mary e wilkins freeman s tales 1852 1930
topic trauma
Nineteenth-century American women writers
regional writers
indirection
deferral
suspension
url https://journals.openedition.org/transatlantica/6022
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