De la mise au silence à la prise de parole : la voix féminine de Martin Crimp à Sarah Kane
Dramatic experiments with the voice in the theatres of Martin Crimp (Attempts on Her Life, 1997; Fewer Emergencies, 2005) and Sarah Kane (Crave, 1998; 4.48 Psychosis, 2000) fall within the scope of a post-Beckettian quest for new formal constraints for the text and the stage. While the dramatic spac...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2013-07-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/2963 |
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