La seringue et la gâchette
Although the movies of the second half of Jean-Pierre Melville’s career are often referred to in the literature as “men’s films”, Un flic (1972), his last work, is the one that most openly questions the issue of gender. The detective story becomes the pretext to present a gallery of characters with...
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| Format: | Article |
| Language: | fra |
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École du Louvre
2020-11-01
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| Series: | Les Cahiers de l'École du Louvre |
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| Online Access: | https://journals.openedition.org/cel/8447 |
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| author | Thomas Lequeu |
| author_facet | Thomas Lequeu |
| author_sort | Thomas Lequeu |
| collection | DOAJ |
| description | Although the movies of the second half of Jean-Pierre Melville’s career are often referred to in the literature as “men’s films”, Un flic (1972), his last work, is the one that most openly questions the issue of gender. The detective story becomes the pretext to present a gallery of characters with murky sexual identities and attributions. Thus, the dichotomy between the character of Cathy, a femme fatale and a murderer in a lab coat, and that of Gaby, a transsexual police informer made to suffer humiliation and beatings, matches the parallel between the cop and the mobster. This detailed study of the mechanisms of violence that underlie the film questions its ambiguity, while also ascribing it as an element of the gender-based morality that runs through the director’s filmography. |
| format | Article |
| id | doaj-art-bd3c24101749411f984378be94cbbe6e |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2020-11-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-bd3c24101749411f984378be94cbbe6e2025-01-30T14:00:18ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2020-11-011510.4000/cel.8447La seringue et la gâchetteThomas LequeuAlthough the movies of the second half of Jean-Pierre Melville’s career are often referred to in the literature as “men’s films”, Un flic (1972), his last work, is the one that most openly questions the issue of gender. The detective story becomes the pretext to present a gallery of characters with murky sexual identities and attributions. Thus, the dichotomy between the character of Cathy, a femme fatale and a murderer in a lab coat, and that of Gaby, a transsexual police informer made to suffer humiliation and beatings, matches the parallel between the cop and the mobster. This detailed study of the mechanisms of violence that underlie the film questions its ambiguity, while also ascribing it as an element of the gender-based morality that runs through the director’s filmography.https://journals.openedition.org/cel/8447genderCinemaJean-Pierre Melvillefemme fatalehomosexualitytranssexuality |
| spellingShingle | Thomas Lequeu La seringue et la gâchette Les Cahiers de l'École du Louvre gender Cinema Jean-Pierre Melville femme fatale homosexuality transsexuality |
| title | La seringue et la gâchette |
| title_full | La seringue et la gâchette |
| title_fullStr | La seringue et la gâchette |
| title_full_unstemmed | La seringue et la gâchette |
| title_short | La seringue et la gâchette |
| title_sort | la seringue et la gachette |
| topic | gender Cinema Jean-Pierre Melville femme fatale homosexuality transsexuality |
| url | https://journals.openedition.org/cel/8447 |
| work_keys_str_mv | AT thomaslequeu laseringueetlagachette |