Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage
The essay discusses Tim Crouch’s recent play The Author (2009) in the context of active listening, audience participation, response and responsibility in contemporary theatre. It provides a critical engagement with the spectatorial experience of the piece so as to problematize the multiple uses of t...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2013-07-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/2989 |
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| _version_ | 1832578566517161984 |
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| author | Vicky Angelaki |
| author_facet | Vicky Angelaki |
| author_sort | Vicky Angelaki |
| collection | DOAJ |
| description | The essay discusses Tim Crouch’s recent play The Author (2009) in the context of active listening, audience participation, response and responsibility in contemporary theatre. It provides a critical engagement with the spectatorial experience of the piece so as to problematize the multiple uses of the physical medium of voice and speech in a contemporary play that delivers a fresh angle to narrativity and metatheatricality. At the same time, the essay probes the varied range of possibilities but also realistic extent of audience involvement in the play, tracing its deep textual contingencies to produce an overall understanding of the equally rewarding and precarious interrelationship between performance piece and audience. |
| format | Article |
| id | doaj-art-bd0d248cbf1b40f1a9f4b7c40d743f3a |
| institution | Kabale University |
| issn | 1272-3819 1969-6302 |
| language | English |
| publishDate | 2013-07-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj-art-bd0d248cbf1b40f1a9f4b7c40d743f3a2025-01-30T13:46:49ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022013-07-011610.4000/sillagescritiques.2989Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary StageVicky AngelakiThe essay discusses Tim Crouch’s recent play The Author (2009) in the context of active listening, audience participation, response and responsibility in contemporary theatre. It provides a critical engagement with the spectatorial experience of the piece so as to problematize the multiple uses of the physical medium of voice and speech in a contemporary play that delivers a fresh angle to narrativity and metatheatricality. At the same time, the essay probes the varied range of possibilities but also realistic extent of audience involvement in the play, tracing its deep textual contingencies to produce an overall understanding of the equally rewarding and precarious interrelationship between performance piece and audience. https://journals.openedition.org/sillagescritiques/2989voiceActive listeningTim CrouchThe Authorcontemporary theatreaudience |
| spellingShingle | Vicky Angelaki Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage Sillages Critiques voice Active listening Tim Crouch The Author contemporary theatre audience |
| title | Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage |
| title_full | Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage |
| title_fullStr | Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage |
| title_full_unstemmed | Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage |
| title_short | Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage |
| title_sort | whose voice tim crouch s the author and active listening on the contemporary stage |
| topic | voice Active listening Tim Crouch The Author contemporary theatre audience |
| url | https://journals.openedition.org/sillagescritiques/2989 |
| work_keys_str_mv | AT vickyangelaki whosevoicetimcrouchstheauthorandactivelisteningonthecontemporarystage |