Louis H. Sullivan: that Object He Became

Louis H. Sullivan constructed a world view based on a hierarchy of powers. Over this hierarchy he placed the emotion of sympathy. Characterising it as another power he described sympathy as a way of being in communion with the world that manifests in a fusion of identities. Through a close reading o...

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Main Author: Dan Snyder
Format: Article
Language:English
Published: TU Delft OPEN Publishing 2017-12-01
Series:Footprint
Online Access:https://journals.open.tudelft.nl/index.php/footprint/article/view/1901
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author Dan Snyder
author_facet Dan Snyder
author_sort Dan Snyder
collection DOAJ
description Louis H. Sullivan constructed a world view based on a hierarchy of powers. Over this hierarchy he placed the emotion of sympathy. Characterising it as another power he described sympathy as a way of being in communion with the world that manifests in a fusion of identities. Through a close reading of his writings with particular attention paid to his often-encrypted references to Walt Whitman, together with a close reading of selected sources from his library, this essay interrogates his understanding. Sensitive to the question of ‘queering’, it focuses on his conception of fused identities and its effects on gender and sexuality. It excavates an understanding that suggests that Sullivan deliberately constructed an alternative epistemology that overcame a whole host of bipolar oppositions to include male and female. He opted instead for an emotive and fluid ontology where the fixed category of being dissolves in vital consubstantiation – and it was eroticised. Suggesting a uniquely queer stance, Sullivan insists that without a clear vision of it, one may never understand architecture.
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1875-1504
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spelling doaj-art-bd05df215c66458daecbe5c418ef4a612025-02-03T01:10:39ZengTU Delft OPEN PublishingFootprint1875-14901875-15042017-12-01678610.7480/footprint.11.2.19011901Louis H. Sullivan: that Object He BecameDan SnyderLouis H. Sullivan constructed a world view based on a hierarchy of powers. Over this hierarchy he placed the emotion of sympathy. Characterising it as another power he described sympathy as a way of being in communion with the world that manifests in a fusion of identities. Through a close reading of his writings with particular attention paid to his often-encrypted references to Walt Whitman, together with a close reading of selected sources from his library, this essay interrogates his understanding. Sensitive to the question of ‘queering’, it focuses on his conception of fused identities and its effects on gender and sexuality. It excavates an understanding that suggests that Sullivan deliberately constructed an alternative epistemology that overcame a whole host of bipolar oppositions to include male and female. He opted instead for an emotive and fluid ontology where the fixed category of being dissolves in vital consubstantiation – and it was eroticised. Suggesting a uniquely queer stance, Sullivan insists that without a clear vision of it, one may never understand architecture.https://journals.open.tudelft.nl/index.php/footprint/article/view/1901
spellingShingle Dan Snyder
Louis H. Sullivan: that Object He Became
Footprint
title Louis H. Sullivan: that Object He Became
title_full Louis H. Sullivan: that Object He Became
title_fullStr Louis H. Sullivan: that Object He Became
title_full_unstemmed Louis H. Sullivan: that Object He Became
title_short Louis H. Sullivan: that Object He Became
title_sort louis h sullivan that object he became
url https://journals.open.tudelft.nl/index.php/footprint/article/view/1901
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