Mimesis de la douleur chez George Oppen et J. H. Prynne

This article means to consider the work of two poets working in the second half of the twentieth century - an American, George Oppen, and a British poet, J. H. Prynne - and how they resort to quotation as a technique when dealing with expressions of pain. The aim is to attempt a practical applicatio...

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Main Author: Xavier Kalck
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2012-01-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/3385
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author Xavier Kalck
author_facet Xavier Kalck
author_sort Xavier Kalck
collection DOAJ
description This article means to consider the work of two poets working in the second half of the twentieth century - an American, George Oppen, and a British poet, J. H. Prynne - and how they resort to quotation as a technique when dealing with expressions of pain. The aim is to attempt a practical application of Wittgenstein’s remarks on learning language using the example of expressions of pain. Are such quotations a means for these authors to bring back a measure of subjectivity within the textual pattern, and if so why? The question matters all the more as the poems do not partake of collage as the belated sign of modernist claims. The issue is that of one’s connection to the existing world and how this connection must be maintained and the world accounted for.
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institution Kabale University
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publishDate 2012-01-01
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record_format Article
series Sillages Critiques
spelling doaj-art-bb9a21860d9040b9a37036c0c8b849cc2025-01-30T13:47:52ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022012-01-011410.4000/sillagescritiques.3385Mimesis de la douleur chez George Oppen et J. H. PrynneXavier KalckThis article means to consider the work of two poets working in the second half of the twentieth century - an American, George Oppen, and a British poet, J. H. Prynne - and how they resort to quotation as a technique when dealing with expressions of pain. The aim is to attempt a practical application of Wittgenstein’s remarks on learning language using the example of expressions of pain. Are such quotations a means for these authors to bring back a measure of subjectivity within the textual pattern, and if so why? The question matters all the more as the poems do not partake of collage as the belated sign of modernist claims. The issue is that of one’s connection to the existing world and how this connection must be maintained and the world accounted for.https://journals.openedition.org/sillagescritiques/3385mimesissublimelanguageWittgensteinquotationGeorge Oppen
spellingShingle Xavier Kalck
Mimesis de la douleur chez George Oppen et J. H. Prynne
Sillages Critiques
mimesis
sublime
language
Wittgenstein
quotation
George Oppen
title Mimesis de la douleur chez George Oppen et J. H. Prynne
title_full Mimesis de la douleur chez George Oppen et J. H. Prynne
title_fullStr Mimesis de la douleur chez George Oppen et J. H. Prynne
title_full_unstemmed Mimesis de la douleur chez George Oppen et J. H. Prynne
title_short Mimesis de la douleur chez George Oppen et J. H. Prynne
title_sort mimesis de la douleur chez george oppen et j h prynne
topic mimesis
sublime
language
Wittgenstein
quotation
George Oppen
url https://journals.openedition.org/sillagescritiques/3385
work_keys_str_mv AT xavierkalck mimesisdeladouleurchezgeorgeoppenetjhprynne