La représentation de la vie d’un maître estropié du passé au xixe siècle : L’Aleijadinho d’Henrique Bernardelli
This article proposes to analyse the painting Aleijadinho, le sculpteur Antonio Francisco Lisboa by the Brazilian painter Henrique Bernardelli, the first and only representation known from the lifetime of a master of the Latin American colonial past in the nineteenth century. We will attempt to plac...
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| Format: | Article |
| Language: | fra |
| Published: |
École du Louvre
2019-06-01
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| Series: | Les Cahiers de l'École du Louvre |
| Subjects: | |
| Online Access: | https://journals.openedition.org/cel/1787 |
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