La représentation de la vie d’un maître estropié du passé au xixe siècle : L’Aleijadinho d’Henrique Bernardelli
This article proposes to analyse the painting Aleijadinho, le sculpteur Antonio Francisco Lisboa by the Brazilian painter Henrique Bernardelli, the first and only representation known from the lifetime of a master of the Latin American colonial past in the nineteenth century. We will attempt to plac...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
École du Louvre
2019-06-01
|
| Series: | Les Cahiers de l'École du Louvre |
| Subjects: | |
| Online Access: | https://journals.openedition.org/cel/1787 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1832578446076674048 |
|---|---|
| author | Fábio D’Almeida |
| author_facet | Fábio D’Almeida |
| author_sort | Fábio D’Almeida |
| collection | DOAJ |
| description | This article proposes to analyse the painting Aleijadinho, le sculpteur Antonio Francisco Lisboa by the Brazilian painter Henrique Bernardelli, the first and only representation known from the lifetime of a master of the Latin American colonial past in the nineteenth century. We will attempt to place this work in the Brazilian artistic context, notably that of the representation of the artists of the past and present. We will discuss how Bernardelli’s painting is inspired by in a very particular way by the first biography dedicated to the sculptor, in the 1850s, to set up the idea of a predestined genius of the Brazilian colonial past. The analysis of the painting will highlight the way in which the canvas distances itself considerably from the formulas that are frequently present in the European book also figuring the lives of the Old Masters in the nineteenth century.Antonio Francisco Lisboa, Aleijadinho, peinture brésilienne, xixe siècle, maîtres anciens, art colonial, genre anecdotique, histoire des artistes |
| format | Article |
| id | doaj-art-bb7a16a57b51447fb294572e509d9aa1 |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2019-06-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-bb7a16a57b51447fb294572e509d9aa12025-01-30T14:00:16ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2019-06-011310.4000/cel.1787La représentation de la vie d’un maître estropié du passé au xixe siècle : L’Aleijadinho d’Henrique BernardelliFábio D’AlmeidaThis article proposes to analyse the painting Aleijadinho, le sculpteur Antonio Francisco Lisboa by the Brazilian painter Henrique Bernardelli, the first and only representation known from the lifetime of a master of the Latin American colonial past in the nineteenth century. We will attempt to place this work in the Brazilian artistic context, notably that of the representation of the artists of the past and present. We will discuss how Bernardelli’s painting is inspired by in a very particular way by the first biography dedicated to the sculptor, in the 1850s, to set up the idea of a predestined genius of the Brazilian colonial past. The analysis of the painting will highlight the way in which the canvas distances itself considerably from the formulas that are frequently present in the European book also figuring the lives of the Old Masters in the nineteenth century.Antonio Francisco Lisboa, Aleijadinho, peinture brésilienne, xixe siècle, maîtres anciens, art colonial, genre anecdotique, histoire des artisteshttps://journals.openedition.org/cel/1787Antonio Francisco LisboaAleijadinhoBrazilian paintingnineteenth centuryold masterscolonial art |
| spellingShingle | Fábio D’Almeida La représentation de la vie d’un maître estropié du passé au xixe siècle : L’Aleijadinho d’Henrique Bernardelli Les Cahiers de l'École du Louvre Antonio Francisco Lisboa Aleijadinho Brazilian painting nineteenth century old masters colonial art |
| title | La représentation de la vie d’un maître estropié du passé au xixe siècle : L’Aleijadinho d’Henrique Bernardelli |
| title_full | La représentation de la vie d’un maître estropié du passé au xixe siècle : L’Aleijadinho d’Henrique Bernardelli |
| title_fullStr | La représentation de la vie d’un maître estropié du passé au xixe siècle : L’Aleijadinho d’Henrique Bernardelli |
| title_full_unstemmed | La représentation de la vie d’un maître estropié du passé au xixe siècle : L’Aleijadinho d’Henrique Bernardelli |
| title_short | La représentation de la vie d’un maître estropié du passé au xixe siècle : L’Aleijadinho d’Henrique Bernardelli |
| title_sort | la representation de la vie d un maitre estropie du passe au xixe siecle l aleijadinho d henrique bernardelli |
| topic | Antonio Francisco Lisboa Aleijadinho Brazilian painting nineteenth century old masters colonial art |
| url | https://journals.openedition.org/cel/1787 |
| work_keys_str_mv | AT fabiodalmeida larepresentationdelaviedunmaitreestropiedupasseauxixesieclelaleijadinhodhenriquebernardelli |