Joseph Conrad’s ‘Youth’: A Melting Pot for the Old and New

Conrad’s short story ‘Youth’ is interestingly complex in its weaving together of disparate fictional elements old and new. The old is prominent in the manipulation of narrative framing in multi-layered narratives intertwined with the intimate act of telling and listening to oral stories. Besides, Co...

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Main Author: Samir Elbarbary
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2015-06-01
Series:Cahiers Victoriens et Edouardiens
Subjects:
Online Access:https://journals.openedition.org/cve/2041
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author Samir Elbarbary
author_facet Samir Elbarbary
author_sort Samir Elbarbary
collection DOAJ
description Conrad’s short story ‘Youth’ is interestingly complex in its weaving together of disparate fictional elements old and new. The old is prominent in the manipulation of narrative framing in multi-layered narratives intertwined with the intimate act of telling and listening to oral stories. Besides, Conrad evokes the standard seafaring story of far-away lands, adapting and yet simultaneously destabilizing it. The modern/postmodern is at work in a dialogic disposition (in the Bakhtinian sense) along with the shifting discourse that characterizes Conrad’s oeuvre, a metafictional quality, intertextual space, and there is the sense of loss and pointlessness of striving that is fairly common in such writing. Further, the text anticipates the general orientation of postmodernism in conflating heterogeneous discourses. This, in effect, grants depth to the narrative, and opens it up to a new understanding.
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spelling doaj-art-bb69058ee2e64c428839985e0a2537512025-01-30T10:21:56ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492015-06-018110.4000/cve.2041Joseph Conrad’s ‘Youth’: A Melting Pot for the Old and NewSamir ElbarbaryConrad’s short story ‘Youth’ is interestingly complex in its weaving together of disparate fictional elements old and new. The old is prominent in the manipulation of narrative framing in multi-layered narratives intertwined with the intimate act of telling and listening to oral stories. Besides, Conrad evokes the standard seafaring story of far-away lands, adapting and yet simultaneously destabilizing it. The modern/postmodern is at work in a dialogic disposition (in the Bakhtinian sense) along with the shifting discourse that characterizes Conrad’s oeuvre, a metafictional quality, intertextual space, and there is the sense of loss and pointlessness of striving that is fairly common in such writing. Further, the text anticipates the general orientation of postmodernism in conflating heterogeneous discourses. This, in effect, grants depth to the narrative, and opens it up to a new understanding.https://journals.openedition.org/cve/2041Conrad (Joseph)oral talesmodernismpost-modernism‘Youth’
spellingShingle Samir Elbarbary
Joseph Conrad’s ‘Youth’: A Melting Pot for the Old and New
Cahiers Victoriens et Edouardiens
Conrad (Joseph)
oral tales
modernism
post-modernism
‘Youth’
title Joseph Conrad’s ‘Youth’: A Melting Pot for the Old and New
title_full Joseph Conrad’s ‘Youth’: A Melting Pot for the Old and New
title_fullStr Joseph Conrad’s ‘Youth’: A Melting Pot for the Old and New
title_full_unstemmed Joseph Conrad’s ‘Youth’: A Melting Pot for the Old and New
title_short Joseph Conrad’s ‘Youth’: A Melting Pot for the Old and New
title_sort joseph conrad s youth a melting pot for the old and new
topic Conrad (Joseph)
oral tales
modernism
post-modernism
‘Youth’
url https://journals.openedition.org/cve/2041
work_keys_str_mv AT samirelbarbary josephconradsyouthameltingpotfortheoldandnew