“A medley of voices”, polyphonie et discours rapportés dans Lolita de Nabokov

Using the notion of polyphony in literature, this article studies the function of reported speeches and voices in Vladimir Nabokov’s Lolita. After showing the many ways through which the main characters’ voices are described and shown in the novel, the article analyses textual and stylistic devices...

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Main Author: Yannicke Chupin
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2010-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/1720
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author Yannicke Chupin
author_facet Yannicke Chupin
author_sort Yannicke Chupin
collection DOAJ
description Using the notion of polyphony in literature, this article studies the function of reported speeches and voices in Vladimir Nabokov’s Lolita. After showing the many ways through which the main characters’ voices are described and shown in the novel, the article analyses textual and stylistic devices used by the narrator to keep the other characters’ voices, words and syntax at a distance from his own speech. In spite of the narrator’s permanent control over the texture of his narrative, a final part shows how idioms and strongly-featured voices finally blend, thus accounting for the evolution of the hero’s relation to his environment and to the other characters.
format Article
id doaj-art-ba03383778bf44689a590a1ba79a4891
institution Kabale University
issn 1272-3819
1969-6302
language English
publishDate 2010-12-01
publisher Centre de Recherche "Texte et Critique de Texte"
record_format Article
series Sillages Critiques
spelling doaj-art-ba03383778bf44689a590a1ba79a48912025-01-30T13:46:30ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022010-12-011110.4000/sillagescritiques.1720“A medley of voices”, polyphonie et discours rapportés dans Lolita de NabokovYannicke ChupinUsing the notion of polyphony in literature, this article studies the function of reported speeches and voices in Vladimir Nabokov’s Lolita. After showing the many ways through which the main characters’ voices are described and shown in the novel, the article analyses textual and stylistic devices used by the narrator to keep the other characters’ voices, words and syntax at a distance from his own speech. In spite of the narrator’s permanent control over the texture of his narrative, a final part shows how idioms and strongly-featured voices finally blend, thus accounting for the evolution of the hero’s relation to his environment and to the other characters.https://journals.openedition.org/sillagescritiques/1720voiceLolitaNabokovlanguagedirect and reported speechvocabulary
spellingShingle Yannicke Chupin
“A medley of voices”, polyphonie et discours rapportés dans Lolita de Nabokov
Sillages Critiques
voice
Lolita
Nabokov
language
direct and reported speech
vocabulary
title “A medley of voices”, polyphonie et discours rapportés dans Lolita de Nabokov
title_full “A medley of voices”, polyphonie et discours rapportés dans Lolita de Nabokov
title_fullStr “A medley of voices”, polyphonie et discours rapportés dans Lolita de Nabokov
title_full_unstemmed “A medley of voices”, polyphonie et discours rapportés dans Lolita de Nabokov
title_short “A medley of voices”, polyphonie et discours rapportés dans Lolita de Nabokov
title_sort a medley of voices polyphonie et discours rapportes dans lolita de nabokov
topic voice
Lolita
Nabokov
language
direct and reported speech
vocabulary
url https://journals.openedition.org/sillagescritiques/1720
work_keys_str_mv AT yannickechupin amedleyofvoicespolyphonieetdiscoursrapportesdanslolitadenabokov