Robert Duncan’s Big Poetry: Re-visioning the Common
This article takes breadth to be the central fact to Robert Duncan’s poetry. It argues for a reading of Duncan’s work from the perspective of his yearning for synthesis, while acknowledging that the “grand collage” Duncan evokes must remain out of reach. It is this daring scope, with its own excesse...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2020-12-01
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| Series: | Sillages Critiques |
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| Online Access: | https://journals.openedition.org/sillagescritiques/10312 |
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| author | Miriam Nichols |
| author_facet | Miriam Nichols |
| author_sort | Miriam Nichols |
| collection | DOAJ |
| description | This article takes breadth to be the central fact to Robert Duncan’s poetry. It argues for a reading of Duncan’s work from the perspective of his yearning for synthesis, while acknowledging that the “grand collage” Duncan evokes must remain out of reach. It is this daring scope, with its own excesses and distortions, that accounts for the multiple challenges Duncan’s work continues to pose to his readers. This article suggests a different understanding of measure in Duncan – an ethical and methodological one, rather than a strictly formal or prosodic one. Duncan’s purpose is at once political, moral and aesthetic, directed toward the articulation of human collectivity, despite the recognition that modern societies are fraught with social and cultural difference. |
| format | Article |
| id | doaj-art-b908f2b463864d4b9cbe506405b03574 |
| institution | Kabale University |
| issn | 1272-3819 1969-6302 |
| language | English |
| publishDate | 2020-12-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj-art-b908f2b463864d4b9cbe506405b035742025-01-30T13:47:26ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022020-12-012910.4000/sillagescritiques.10312Robert Duncan’s Big Poetry: Re-visioning the CommonMiriam NicholsThis article takes breadth to be the central fact to Robert Duncan’s poetry. It argues for a reading of Duncan’s work from the perspective of his yearning for synthesis, while acknowledging that the “grand collage” Duncan evokes must remain out of reach. It is this daring scope, with its own excesses and distortions, that accounts for the multiple challenges Duncan’s work continues to pose to his readers. This article suggests a different understanding of measure in Duncan – an ethical and methodological one, rather than a strictly formal or prosodic one. Duncan’s purpose is at once political, moral and aesthetic, directed toward the articulation of human collectivity, despite the recognition that modern societies are fraught with social and cultural difference.https://journals.openedition.org/sillagescritiques/10312Robert Duncanmodern American poetrymythopoesis |
| spellingShingle | Miriam Nichols Robert Duncan’s Big Poetry: Re-visioning the Common Sillages Critiques Robert Duncan modern American poetry mythopoesis |
| title | Robert Duncan’s Big Poetry: Re-visioning the Common |
| title_full | Robert Duncan’s Big Poetry: Re-visioning the Common |
| title_fullStr | Robert Duncan’s Big Poetry: Re-visioning the Common |
| title_full_unstemmed | Robert Duncan’s Big Poetry: Re-visioning the Common |
| title_short | Robert Duncan’s Big Poetry: Re-visioning the Common |
| title_sort | robert duncan s big poetry re visioning the common |
| topic | Robert Duncan modern American poetry mythopoesis |
| url | https://journals.openedition.org/sillagescritiques/10312 |
| work_keys_str_mv | AT miriamnichols robertduncansbigpoetryrevisioningthecommon |