« Screens, screens, it’s nothing but screens! » La profusion des écrans à l’Exposition Universelle de Shanghai, 2010
This article uses the example of visual devices at the Shanghai World Expo in 2010 in order to develop a reflection on the place of screens in both the fabric of artificial environments, a phenomenon characteristic of world’s fairs since the 19th Century, and the diffraction of the visitor’s experie...
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Format: | Article |
Language: | deu |
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Conserveries Mémorielles
2014-09-01
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Series: | Conserveries Mémorielles |
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Online Access: | https://journals.openedition.org/cm/1862 |
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author | Tatjana Barazon Van Troi Tran |
author_facet | Tatjana Barazon Van Troi Tran |
author_sort | Tatjana Barazon |
collection | DOAJ |
description | This article uses the example of visual devices at the Shanghai World Expo in 2010 in order to develop a reflection on the place of screens in both the fabric of artificial environments, a phenomenon characteristic of world’s fairs since the 19th Century, and the diffraction of the visitor’s experience by the proliferation and the democratization of screens. Whereas world’s fairs appear to embody consensual grand narratives of progress, a close examination of the social life of the animated images that people their ecologies uncover an event that is also rich in openings, multiplicities and virtualities. |
format | Article |
id | doaj-art-b8a113aeef0b46339350d37dc36a03dc |
institution | Kabale University |
issn | 1718-5556 |
language | deu |
publishDate | 2014-09-01 |
publisher | Conserveries Mémorielles |
record_format | Article |
series | Conserveries Mémorielles |
spelling | doaj-art-b8a113aeef0b46339350d37dc36a03dc2025-02-05T16:16:32ZdeuConserveries MémoriellesConserveries Mémorielles1718-55562014-09-01« Screens, screens, it’s nothing but screens! » La profusion des écrans à l’Exposition Universelle de Shanghai, 2010Tatjana BarazonVan Troi TranThis article uses the example of visual devices at the Shanghai World Expo in 2010 in order to develop a reflection on the place of screens in both the fabric of artificial environments, a phenomenon characteristic of world’s fairs since the 19th Century, and the diffraction of the visitor’s experience by the proliferation and the democratization of screens. Whereas world’s fairs appear to embody consensual grand narratives of progress, a close examination of the social life of the animated images that people their ecologies uncover an event that is also rich in openings, multiplicities and virtualities.https://journals.openedition.org/cm/1862World’s fairsscreensvirtualenvironmentsvisual culture. |
spellingShingle | Tatjana Barazon Van Troi Tran « Screens, screens, it’s nothing but screens! » La profusion des écrans à l’Exposition Universelle de Shanghai, 2010 Conserveries Mémorielles World’s fairs screens virtual environments visual culture. |
title | « Screens, screens, it’s nothing but screens! » La profusion des écrans à l’Exposition Universelle de Shanghai, 2010 |
title_full | « Screens, screens, it’s nothing but screens! » La profusion des écrans à l’Exposition Universelle de Shanghai, 2010 |
title_fullStr | « Screens, screens, it’s nothing but screens! » La profusion des écrans à l’Exposition Universelle de Shanghai, 2010 |
title_full_unstemmed | « Screens, screens, it’s nothing but screens! » La profusion des écrans à l’Exposition Universelle de Shanghai, 2010 |
title_short | « Screens, screens, it’s nothing but screens! » La profusion des écrans à l’Exposition Universelle de Shanghai, 2010 |
title_sort | screens screens it s nothing but screens la profusion des ecrans a l exposition universelle de shanghai 2010 |
topic | World’s fairs screens virtual environments visual culture. |
url | https://journals.openedition.org/cm/1862 |
work_keys_str_mv | AT tatjanabarazon screensscreensitsnothingbutscreenslaprofusiondesecransalexpositionuniverselledeshanghai2010 AT vantroitran screensscreensitsnothingbutscreenslaprofusiondesecransalexpositionuniverselledeshanghai2010 |