Censure, éthique et propagande au sein de la revue URSS en construction
The photographic magazine URSS en construction was produced from 1929 to 1949 for propaganda purposes with the aim of showing Western countries the industrial and ideological power of the USSR. Certain eminent artists such as El Lissitzky and Aleksandr Rodchenko were contributors and, through their...
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| Format: | Article |
| Language: | fra |
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École du Louvre
2015-04-01
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| Series: | Les Cahiers de l'École du Louvre |
| Online Access: | https://journals.openedition.org/cel/321 |
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| _version_ | 1832578445644660736 |
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| author | Jessica Watson |
| author_facet | Jessica Watson |
| author_sort | Jessica Watson |
| collection | DOAJ |
| description | The photographic magazine URSS en construction was produced from 1929 to 1949 for propaganda purposes with the aim of showing Western countries the industrial and ideological power of the USSR. Certain eminent artists such as El Lissitzky and Aleksandr Rodchenko were contributors and, through their photomontages conveyed a utopian image of Stalinist society of the 1930s. Censorship or propaganda? How to understand their works today and how to locate the place of the artist in a totalitarian regime. The magazine URSS en construction sheds light on the ideological complexities at the heart of Soviet art and explores the dilemma between artistic integrity and survival. |
| format | Article |
| id | doaj-art-b8790680f991403ab62b57dedcdd61ee |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2015-04-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-b8790680f991403ab62b57dedcdd61ee2025-01-30T13:59:42ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2015-04-01610.4000/cel.321Censure, éthique et propagande au sein de la revue URSS en constructionJessica WatsonThe photographic magazine URSS en construction was produced from 1929 to 1949 for propaganda purposes with the aim of showing Western countries the industrial and ideological power of the USSR. Certain eminent artists such as El Lissitzky and Aleksandr Rodchenko were contributors and, through their photomontages conveyed a utopian image of Stalinist society of the 1930s. Censorship or propaganda? How to understand their works today and how to locate the place of the artist in a totalitarian regime. The magazine URSS en construction sheds light on the ideological complexities at the heart of Soviet art and explores the dilemma between artistic integrity and survival.https://journals.openedition.org/cel/321 |
| spellingShingle | Jessica Watson Censure, éthique et propagande au sein de la revue URSS en construction Les Cahiers de l'École du Louvre |
| title | Censure, éthique et propagande au sein de la revue URSS en construction |
| title_full | Censure, éthique et propagande au sein de la revue URSS en construction |
| title_fullStr | Censure, éthique et propagande au sein de la revue URSS en construction |
| title_full_unstemmed | Censure, éthique et propagande au sein de la revue URSS en construction |
| title_short | Censure, éthique et propagande au sein de la revue URSS en construction |
| title_sort | censure ethique et propagande au sein de la revue urss en construction |
| url | https://journals.openedition.org/cel/321 |
| work_keys_str_mv | AT jessicawatson censureethiqueetpropagandeauseindelarevueurssenconstruction |