Transcultural transformation in cinema
The article presents a study of transcultural transformation in cinema, considering the filmmaker as a transnational figure. This is the gradual creation of a cinematic map based on affinitive transnationalism, which integrates forms of expression that are now considered archetypal. Members of the “...
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| Format: | Article |
| Language: | English |
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Publishing House of the State University of Management
2021-12-01
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| Series: | Вестник университета |
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| Online Access: | https://vestnik.guu.ru/jour/article/view/3141 |
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| _version_ | 1832541638297124864 |
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| author | Yu. V. Vorontsova |
| author_facet | Yu. V. Vorontsova |
| author_sort | Yu. V. Vorontsova |
| collection | DOAJ |
| description | The article presents a study of transcultural transformation in cinema, considering the filmmaker as a transnational figure. This is the gradual creation of a cinematic map based on affinitive transnationalism, which integrates forms of expression that are now considered archetypal. Members of the “imagined” cultural community construct a mosaic of shared references that transcend national boundaries. Based on this concept, a study of the organisational practices of filmmaker Carlos Saura has been conducted. This concept was the basis for a study of the organisational practices of director Carlos Saura, who in his last phase of his career focused on making films that offer samples of music, dance and unusual storytelling (based on the principle of “photography”) associated to the Iberian and Latin American space. This creates a special definition of the musical and artistic genres, combining traces of a documentary style influencing the authenticity of the representations depicted, with a strong aesthetic impulse emphasising the organisational and artistic nature of these representations. This model of transnationalism takes the form of reflection of trans-Iberian dimensions. |
| format | Article |
| id | doaj-art-b849570192014c75bb0244df771c92e3 |
| institution | Kabale University |
| issn | 1816-4277 2686-8415 |
| language | English |
| publishDate | 2021-12-01 |
| publisher | Publishing House of the State University of Management |
| record_format | Article |
| series | Вестник университета |
| spelling | doaj-art-b849570192014c75bb0244df771c92e32025-02-04T08:28:10ZengPublishing House of the State University of ManagementВестник университета1816-42772686-84152021-12-01010555810.26425/1816-4277-2021-10-55-582167Transcultural transformation in cinemaYu. V. Vorontsova0State University of ManagementThe article presents a study of transcultural transformation in cinema, considering the filmmaker as a transnational figure. This is the gradual creation of a cinematic map based on affinitive transnationalism, which integrates forms of expression that are now considered archetypal. Members of the “imagined” cultural community construct a mosaic of shared references that transcend national boundaries. Based on this concept, a study of the organisational practices of filmmaker Carlos Saura has been conducted. This concept was the basis for a study of the organisational practices of director Carlos Saura, who in his last phase of his career focused on making films that offer samples of music, dance and unusual storytelling (based on the principle of “photography”) associated to the Iberian and Latin American space. This creates a special definition of the musical and artistic genres, combining traces of a documentary style influencing the authenticity of the representations depicted, with a strong aesthetic impulse emphasising the organisational and artistic nature of these representations. This model of transnationalism takes the form of reflection of trans-Iberian dimensions.https://vestnik.guu.ru/jour/article/view/3141off-frame transformationinternationalised filmmaking worldspanish cinemacarlos sauraprinciple of “photography”spaceshooting processtrans-iberian dimensionstransnational cinema |
| spellingShingle | Yu. V. Vorontsova Transcultural transformation in cinema Вестник университета off-frame transformation internationalised filmmaking world spanish cinema carlos saura principle of “photography” space shooting process trans-iberian dimensions transnational cinema |
| title | Transcultural transformation in cinema |
| title_full | Transcultural transformation in cinema |
| title_fullStr | Transcultural transformation in cinema |
| title_full_unstemmed | Transcultural transformation in cinema |
| title_short | Transcultural transformation in cinema |
| title_sort | transcultural transformation in cinema |
| topic | off-frame transformation internationalised filmmaking world spanish cinema carlos saura principle of “photography” space shooting process trans-iberian dimensions transnational cinema |
| url | https://vestnik.guu.ru/jour/article/view/3141 |
| work_keys_str_mv | AT yuvvorontsova transculturaltransformationincinema |