言語と、風景を形作る行為: 夏目漱石の作品における風景および環境への意識
This article approaches the literary dimension of landscape action through the example of Natsume Sōseki, a major Japanese author of the beginning of the 20th century. I begin by explaining how the notion of the landscape becomes central in Meiji’s discourses and represents a cultural paradigm shift...
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| Main Author: | |
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| Format: | Article |
| Language: | fra |
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Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
2020-12-01
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| Series: | Projets de Paysage |
| Subjects: | |
| Online Access: | https://journals.openedition.org/paysage/12587 |
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| Summary: | This article approaches the literary dimension of landscape action through the example of Natsume Sōseki, a major Japanese author of the beginning of the 20th century. I begin by explaining how the notion of the landscape becomes central in Meiji’s discourses and represents a cultural paradigm shift. Then, through a study of three novels by Sōseki which focus on describing nature and space rather than following a conventional plot, I consider the landscape as an aesthetic and ideological narrative structure. I analyse how this writer enhances the landscape through a profusion of poetic and pictorial inter-cultural references and how he also de-constructs it in a post-modern fashion by modernising the homology between nature, language, and national identity. I conclude that Sôseki’s research on landscape forms has contributed to shaping a modern imaginary construct of space and identifies it as being at the inception of an environmental awareness. |
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| ISSN: | 1969-6124 |