Pourquoi dépasser l’image mécaniste du Charlot des Temps modernes ? K. Burke, le travail et le pouvoir des images
Charlot’s image, taken from Charlie Chaplin’s Modern Times, seems unavoidable to illustrate work. This article intends to understand the pervasiveness of this mechanistic representation, and suggests to overcome it in order to help rejuvenate the way work is pictured. While nowadays work require les...
Saved in:
| Main Author: | Alexandra Bidet |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Université de Poitiers
2016-02-01
|
| Series: | Images du Travail, Travail des Images |
| Subjects: | |
| Online Access: | https://journals.openedition.org/itti/1366 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Chaplin jak Charlie. Od figury kina do figury poetyckiej
by: Rafał Koschany
Published: (2002-06-01) -
Charlie w Inkipo. Chaplin według Pierwszej Awangardy
by: Aleksander Wójtowicz
Published: (2010-06-01) -
Efekt Goldberga
by: Marcin Giżycki
Published: (2007-06-01) -
O Teatro Mecânico e a Crise no Teatro
by: Evandro Luis Teixeira
Published: (2024-10-01) -
The Lexicons of Cult Film: Rhetoric, Media, and The Big Lebowski
by: Andrew C Jones, et al.
Published: (2025-05-01)