Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing
Representations of violence have been at the heart of some key movements in post-war British theatre. In the twenty-first century, however, these representations have evolved in a new way, characterised both by an escalation of the scale and intensity of the violence, to a point one could call apoca...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2017-03-01
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| Series: | Sillages Critiques |
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| Online Access: | https://journals.openedition.org/sillagescritiques/4798 |
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| author | Dan Rebellato |
| author_facet | Dan Rebellato |
| author_sort | Dan Rebellato |
| collection | DOAJ |
| description | Representations of violence have been at the heart of some key movements in post-war British theatre. In the twenty-first century, however, these representations have evolved in a new way, characterised both by an escalation of the scale and intensity of the violence, to a point one could call apocalyptic, coupled with specifically non-realist dramaturgical and theatrical modes of production. The essay explains these phenomena as two sides of an attempt to resist neoliberal capitalism’s totalising colonisation of our experience of the real and to imagine the unimaginable end of capitalism. |
| format | Article |
| id | doaj-art-b4e194d24cfd4641b5ae7de6c256970a |
| institution | Kabale University |
| issn | 1272-3819 1969-6302 |
| language | English |
| publishDate | 2017-03-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj-art-b4e194d24cfd4641b5ae7de6c256970a2025-01-30T13:47:55ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022017-03-012210.4000/sillagescritiques.4798Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and WritingDan RebellatoRepresentations of violence have been at the heart of some key movements in post-war British theatre. In the twenty-first century, however, these representations have evolved in a new way, characterised both by an escalation of the scale and intensity of the violence, to a point one could call apocalyptic, coupled with specifically non-realist dramaturgical and theatrical modes of production. The essay explains these phenomena as two sides of an attempt to resist neoliberal capitalism’s totalising colonisation of our experience of the real and to imagine the unimaginable end of capitalism.https://journals.openedition.org/sillagescritiques/4798Sarah KaneCaryl ChurchilllanguageTim Crouchrepresentationviolence |
| spellingShingle | Dan Rebellato Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing Sillages Critiques Sarah Kane Caryl Churchill language Tim Crouch representation violence |
| title | Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing |
| title_full | Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing |
| title_fullStr | Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing |
| title_full_unstemmed | Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing |
| title_short | Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing |
| title_sort | of an apocalyptic tone recently adopted in theatre british drama violence and writing |
| topic | Sarah Kane Caryl Churchill language Tim Crouch representation violence |
| url | https://journals.openedition.org/sillagescritiques/4798 |
| work_keys_str_mv | AT danrebellato ofanapocalyptictonerecentlyadoptedintheatrebritishdramaviolenceandwriting |