Voir l’espace et dire le temps : le grand écart du discours esthétique victorien
Victorian painting was characterized by its narrativity, which attracted the public’s enthusiasm, but also the critics’ wrath or praise. While Henry James was offended by the “historicizing” reading of art works, John Ruskin usually wanted to find what came before and after the scene represented by...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2011-12-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/2200 |
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