Performing Paint, Claiming Space: The Santa Fe Indian School Posters on Paul Coze’s Stage in Paris, 1935

This essay examines sixty-one extant posters that were hand-painted by students at the Studio School of the Santa Fe Indian School and sent to Paris to advertise an exhibition of their artwork, Art peau-rouge d’aujourd’hui (Redskin Art Today), at the Musée d’Ethnographie du Trocadéro in 1935. A coll...

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Main Author: Jessica L. Horton
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2019-05-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/11220
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author Jessica L. Horton
author_facet Jessica L. Horton
author_sort Jessica L. Horton
collection DOAJ
description This essay examines sixty-one extant posters that were hand-painted by students at the Studio School of the Santa Fe Indian School and sent to Paris to advertise an exhibition of their artwork, Art peau-rouge d’aujourd’hui (Redskin Art Today), at the Musée d’Ethnographie du Trocadéro in 1935. A collaboration between the students and Paul Coze, a French hobbyist and self-trained ethnographer, the commission was a dynamic component of a transatlantic assemblage that included Native objects and performers in Paris. Framed by printed French text, the figures that populated the posters engaged playfully with the city’s streets, museums, and stages, demonstrating the mutual porousness of graphic and performing arts. I show that although the students could not travel in the flesh, they claimed a space for Indigenous cultural values and experiences of modernity in the French capital.
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spelling doaj-art-b39590db4b9943e4ae4de4f46eabcc792025-01-30T10:46:22ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662019-05-01210.4000/transatlantica.11220Performing Paint, Claiming Space: The Santa Fe Indian School Posters on Paul Coze’s Stage in Paris, 1935Jessica L. HortonThis essay examines sixty-one extant posters that were hand-painted by students at the Studio School of the Santa Fe Indian School and sent to Paris to advertise an exhibition of their artwork, Art peau-rouge d’aujourd’hui (Redskin Art Today), at the Musée d’Ethnographie du Trocadéro in 1935. A collaboration between the students and Paul Coze, a French hobbyist and self-trained ethnographer, the commission was a dynamic component of a transatlantic assemblage that included Native objects and performers in Paris. Framed by printed French text, the figures that populated the posters engaged playfully with the city’s streets, museums, and stages, demonstrating the mutual porousness of graphic and performing arts. I show that although the students could not travel in the flesh, they claimed a space for Indigenous cultural values and experiences of modernity in the French capital.https://journals.openedition.org/transatlantica/11220performancepaintingIndigenoustransnationalismSanta Fe Indian SchoolStudio School
spellingShingle Jessica L. Horton
Performing Paint, Claiming Space: The Santa Fe Indian School Posters on Paul Coze’s Stage in Paris, 1935
Transatlantica
performance
painting
Indigenous
transnationalism
Santa Fe Indian School
Studio School
title Performing Paint, Claiming Space: The Santa Fe Indian School Posters on Paul Coze’s Stage in Paris, 1935
title_full Performing Paint, Claiming Space: The Santa Fe Indian School Posters on Paul Coze’s Stage in Paris, 1935
title_fullStr Performing Paint, Claiming Space: The Santa Fe Indian School Posters on Paul Coze’s Stage in Paris, 1935
title_full_unstemmed Performing Paint, Claiming Space: The Santa Fe Indian School Posters on Paul Coze’s Stage in Paris, 1935
title_short Performing Paint, Claiming Space: The Santa Fe Indian School Posters on Paul Coze’s Stage in Paris, 1935
title_sort performing paint claiming space the santa fe indian school posters on paul coze s stage in paris 1935
topic performance
painting
Indigenous
transnationalism
Santa Fe Indian School
Studio School
url https://journals.openedition.org/transatlantica/11220
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