From Heroic Retribution to Civilized Violence: Victorian Images of War and the Making of General Gordon

This article considers the emergence of Charles George Gordon (1833–1885) as new type of Christian technological hero in the context of Victorian representations and discussions concerning war. Gordon’s example demonstrates the role of technology in relation to the heroic in three ways: by the atavi...

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Main Author: Michael Anton Budd
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2007-12-01
Series:Cahiers Victoriens et Edouardiens
Online Access:https://journals.openedition.org/cve/10387
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author Michael Anton Budd
author_facet Michael Anton Budd
author_sort Michael Anton Budd
collection DOAJ
description This article considers the emergence of Charles George Gordon (1833–1885) as new type of Christian technological hero in the context of Victorian representations and discussions concerning war. Gordon’s example demonstrates the role of technology in relation to the heroic in three ways: by the atavistic desire for the pure categories of the past, which seemed to have been swept aside by capital and new industry; by virtue of the role of print, image and communication technologies to spread the knowledge of the new hero’s exploits, and by the fact that the hero, in military and other contexts, was increasingly a technologist. My aim is to investigate Gordon’s own ambivalence about the technological militarized society he came to represent in the context of the crisis narratives proceeding from the Crimea and the Sepoy Mutiny to the debacle at Khartoum and its aftermath.
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series Cahiers Victoriens et Edouardiens
spelling doaj-art-b311dac8c7154df4a9062b0223e1599f2025-01-30T10:21:13ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492007-12-016610.4000/cve.10387From Heroic Retribution to Civilized Violence: Victorian Images of War and the Making of General GordonMichael Anton BuddThis article considers the emergence of Charles George Gordon (1833–1885) as new type of Christian technological hero in the context of Victorian representations and discussions concerning war. Gordon’s example demonstrates the role of technology in relation to the heroic in three ways: by the atavistic desire for the pure categories of the past, which seemed to have been swept aside by capital and new industry; by virtue of the role of print, image and communication technologies to spread the knowledge of the new hero’s exploits, and by the fact that the hero, in military and other contexts, was increasingly a technologist. My aim is to investigate Gordon’s own ambivalence about the technological militarized society he came to represent in the context of the crisis narratives proceeding from the Crimea and the Sepoy Mutiny to the debacle at Khartoum and its aftermath.https://journals.openedition.org/cve/10387
spellingShingle Michael Anton Budd
From Heroic Retribution to Civilized Violence: Victorian Images of War and the Making of General Gordon
Cahiers Victoriens et Edouardiens
title From Heroic Retribution to Civilized Violence: Victorian Images of War and the Making of General Gordon
title_full From Heroic Retribution to Civilized Violence: Victorian Images of War and the Making of General Gordon
title_fullStr From Heroic Retribution to Civilized Violence: Victorian Images of War and the Making of General Gordon
title_full_unstemmed From Heroic Retribution to Civilized Violence: Victorian Images of War and the Making of General Gordon
title_short From Heroic Retribution to Civilized Violence: Victorian Images of War and the Making of General Gordon
title_sort from heroic retribution to civilized violence victorian images of war and the making of general gordon
url https://journals.openedition.org/cve/10387
work_keys_str_mv AT michaelantonbudd fromheroicretributiontocivilizedviolencevictorianimagesofwarandthemakingofgeneralgordon