“As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception
As in other Shakespearean late plays, The Winter’s Tale, the question of art and the theatre is central, here especially in terms of reception and interpretation, then of hermeneutics. Through direct staging or indirect report, Shakespeare creates theatrical epiphany, but also offers quasi-phenomeno...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2011-12-01
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| Series: | Sillages Critiques |
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| Online Access: | https://journals.openedition.org/sillagescritiques/2393 |
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| _version_ | 1832578604113854464 |
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| author | Pierre Iselin |
| author_facet | Pierre Iselin |
| author_sort | Pierre Iselin |
| collection | DOAJ |
| description | As in other Shakespearean late plays, The Winter’s Tale, the question of art and the theatre is central, here especially in terms of reception and interpretation, then of hermeneutics. Through direct staging or indirect report, Shakespeare creates theatrical epiphany, but also offers quasi-phenomenological commentaries on wonder. This paper investigates the reception and the dramatic treatment of the Ovidian myth of Pygmalion in the context of the post-Reformation debate over idolatry, and aims to relate the use of complex language and the specific treatment of artefacts or works of art in the play. |
| format | Article |
| id | doaj-art-b2d6e6b1f6aa4500852530d620edfe35 |
| institution | Kabale University |
| issn | 1272-3819 1969-6302 |
| language | English |
| publishDate | 2011-12-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj-art-b2d6e6b1f6aa4500852530d620edfe352025-01-30T13:46:34ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022011-12-011310.4000/sillagescritiques.2393“As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réceptionPierre IselinAs in other Shakespearean late plays, The Winter’s Tale, the question of art and the theatre is central, here especially in terms of reception and interpretation, then of hermeneutics. Through direct staging or indirect report, Shakespeare creates theatrical epiphany, but also offers quasi-phenomenological commentaries on wonder. This paper investigates the reception and the dramatic treatment of the Ovidian myth of Pygmalion in the context of the post-Reformation debate over idolatry, and aims to relate the use of complex language and the specific treatment of artefacts or works of art in the play.https://journals.openedition.org/sillagescritiques/2393ghostPygmalionArtparagoneidolatryOvid |
| spellingShingle | Pierre Iselin “As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception Sillages Critiques ghost Pygmalion Art paragone idolatry Ovid |
| title | “As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception |
| title_full | “As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception |
| title_fullStr | “As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception |
| title_full_unstemmed | “As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception |
| title_short | “As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception |
| title_sort | as we are mocked with art 5 3 68 the winter s tale comme anatomie de la reception |
| topic | ghost Pygmalion Art paragone idolatry Ovid |
| url | https://journals.openedition.org/sillagescritiques/2393 |
| work_keys_str_mv | AT pierreiselin aswearemockedwithart5368thewinterstalecommeanatomiedelareception |