Flaubert et la stéréographie française, 1850-1880
Flaubert was a strikingly visual writer, who needed « to see » what he evoked in words. Like a time capsule, French stereography from 1850 to 1880 captures for us his visual surroundings and his cultural context: a world of visual clichés that parallel his idées reçues: romantic plots, exotic locati...
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| Format: | Article |
| Language: | fra |
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Institut des Textes & Manuscrits Modernes (ITEM)
2014-12-01
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| Series: | Flaubert: Revue Critique et Génétique |
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| Online Access: | https://journals.openedition.org/flaubert/2348 |
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| author | Arden Reed |
| author_facet | Arden Reed |
| author_sort | Arden Reed |
| collection | DOAJ |
| description | Flaubert was a strikingly visual writer, who needed « to see » what he evoked in words. Like a time capsule, French stereography from 1850 to 1880 captures for us his visual surroundings and his cultural context: a world of visual clichés that parallel his idées reçues: romantic plots, exotic locations, erotic fantasies, people represented like objects and the reverse. Even for Flaubert—who « detests photographs », these stereographs « illlustrate » his texts. |
| format | Article |
| id | doaj-art-b10a186c265a43e0b595fa8c2efb67b6 |
| institution | Kabale University |
| issn | 1969-6191 |
| language | fra |
| publishDate | 2014-12-01 |
| publisher | Institut des Textes & Manuscrits Modernes (ITEM) |
| record_format | Article |
| series | Flaubert: Revue Critique et Génétique |
| spelling | doaj-art-b10a186c265a43e0b595fa8c2efb67b62025-02-05T16:30:02ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912014-12-011210.4000/flaubert.2348Flaubert et la stéréographie française, 1850-1880Arden ReedFlaubert was a strikingly visual writer, who needed « to see » what he evoked in words. Like a time capsule, French stereography from 1850 to 1880 captures for us his visual surroundings and his cultural context: a world of visual clichés that parallel his idées reçues: romantic plots, exotic locations, erotic fantasies, people represented like objects and the reverse. Even for Flaubert—who « detests photographs », these stereographs « illlustrate » his texts.https://journals.openedition.org/flaubert/2348Flaubert Gustaveimaginaire flaubertiendistractionWendell Holmes OliverFurne CharlesMarinier Charles |
| spellingShingle | Arden Reed Flaubert et la stéréographie française, 1850-1880 Flaubert: Revue Critique et Génétique Flaubert Gustave imaginaire flaubertien distraction Wendell Holmes Oliver Furne Charles Marinier Charles |
| title | Flaubert et la stéréographie française, 1850-1880 |
| title_full | Flaubert et la stéréographie française, 1850-1880 |
| title_fullStr | Flaubert et la stéréographie française, 1850-1880 |
| title_full_unstemmed | Flaubert et la stéréographie française, 1850-1880 |
| title_short | Flaubert et la stéréographie française, 1850-1880 |
| title_sort | flaubert et la stereographie francaise 1850 1880 |
| topic | Flaubert Gustave imaginaire flaubertien distraction Wendell Holmes Oliver Furne Charles Marinier Charles |
| url | https://journals.openedition.org/flaubert/2348 |
| work_keys_str_mv | AT ardenreed flaubertetlastereographiefrancaise18501880 |