Flaubert et la stéréographie française, 1850-1880
Flaubert was a strikingly visual writer, who needed « to see » what he evoked in words. Like a time capsule, French stereography from 1850 to 1880 captures for us his visual surroundings and his cultural context: a world of visual clichés that parallel his idées reçues: romantic plots, exotic locati...
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| Main Author: | |
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| Format: | Article |
| Language: | fra |
| Published: |
Institut des Textes & Manuscrits Modernes (ITEM)
2014-12-01
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| Series: | Flaubert: Revue Critique et Génétique |
| Subjects: | |
| Online Access: | https://journals.openedition.org/flaubert/2348 |
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| Summary: | Flaubert was a strikingly visual writer, who needed « to see » what he evoked in words. Like a time capsule, French stereography from 1850 to 1880 captures for us his visual surroundings and his cultural context: a world of visual clichés that parallel his idées reçues: romantic plots, exotic locations, erotic fantasies, people represented like objects and the reverse. Even for Flaubert—who « detests photographs », these stereographs « illlustrate » his texts. |
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| ISSN: | 1969-6191 |