Les arènes espagnoles sous le franquisme : un espace de « contre-pouvoir » ?

During the Franco era (1939-1975), an especially dark period in Spain’s history because of the oppressive and repressive nature of the regime, Spanish people were forced into silence. Traumatised by the fratricidal civil war, people retreated into themselves, tight-lipped and fearful. Little researc...

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Main Author: Justine Guitard
Format: Article
Language:English
Published: Centre de Recherches Ibériques et Ibéro-Américaines 2017-01-01
Series:Cahiers de Civilisation Espagnole Contemporaine
Subjects:
Online Access:https://journals.openedition.org/ccec/6379
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author Justine Guitard
author_facet Justine Guitard
author_sort Justine Guitard
collection DOAJ
description During the Franco era (1939-1975), an especially dark period in Spain’s history because of the oppressive and repressive nature of the regime, Spanish people were forced into silence. Traumatised by the fratricidal civil war, people retreated into themselves, tight-lipped and fearful. Little research has been conducted on the potential of the bullring to be turned into a subversive means of expression. As a public space, the bullring was an arena that the dictatorship attempted to instrumentalize, but that gradually escaped the control of the authorities. Careful analysis of media documents dating from the Franco period reveals how the bullring could become an oppositional space. Viewed in this light, the toreros had the capacity to nourish dreams, including that of freedom.
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institution Kabale University
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publisher Centre de Recherches Ibériques et Ibéro-Américaines
record_format Article
series Cahiers de Civilisation Espagnole Contemporaine
spelling doaj-art-b0bc74793cdd44a9a03c507bb887653e2025-01-30T10:10:21ZengCentre de Recherches Ibériques et Ibéro-AméricainesCahiers de Civilisation Espagnole Contemporaine1957-77612017-01-011710.4000/ccec.6379Les arènes espagnoles sous le franquisme : un espace de « contre-pouvoir » ?Justine GuitardDuring the Franco era (1939-1975), an especially dark period in Spain’s history because of the oppressive and repressive nature of the regime, Spanish people were forced into silence. Traumatised by the fratricidal civil war, people retreated into themselves, tight-lipped and fearful. Little research has been conducted on the potential of the bullring to be turned into a subversive means of expression. As a public space, the bullring was an arena that the dictatorship attempted to instrumentalize, but that gradually escaped the control of the authorities. Careful analysis of media documents dating from the Franco period reveals how the bullring could become an oppositional space. Viewed in this light, the toreros had the capacity to nourish dreams, including that of freedom.https://journals.openedition.org/ccec/6379Francoismbullringtorerossubversionoppositional
spellingShingle Justine Guitard
Les arènes espagnoles sous le franquisme : un espace de « contre-pouvoir » ?
Cahiers de Civilisation Espagnole Contemporaine
Francoism
bullring
toreros
subversion
oppositional
title Les arènes espagnoles sous le franquisme : un espace de « contre-pouvoir » ?
title_full Les arènes espagnoles sous le franquisme : un espace de « contre-pouvoir » ?
title_fullStr Les arènes espagnoles sous le franquisme : un espace de « contre-pouvoir » ?
title_full_unstemmed Les arènes espagnoles sous le franquisme : un espace de « contre-pouvoir » ?
title_short Les arènes espagnoles sous le franquisme : un espace de « contre-pouvoir » ?
title_sort les arenes espagnoles sous le franquisme un espace de contre pouvoir
topic Francoism
bullring
toreros
subversion
oppositional
url https://journals.openedition.org/ccec/6379
work_keys_str_mv AT justineguitard lesarenesespagnolessouslefranquismeunespacedecontrepouvoir