La fabrique du musée d’art marocain : L’œuvre de Prosper Ricard
This article aims to study the genesis of Muslim art museums founded under the Moroccan Protectorate, mostly in the years 1920-1935, when Prosper Ricard directed the “Service des Arts Indigènes”. It aims to shed light on the motives behind the creation of these museums and questions the role played...
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| Format: | Article |
| Language: | fra |
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CNRS Éditions
2018-12-01
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| Series: | L’Année du Maghreb |
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| Online Access: | https://journals.openedition.org/anneemaghreb/3916 |
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| _version_ | 1832581742327758848 |
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| author | Habiba Aoudia |
| author_facet | Habiba Aoudia |
| author_sort | Habiba Aoudia |
| collection | DOAJ |
| description | This article aims to study the genesis of Muslim art museums founded under the Moroccan Protectorate, mostly in the years 1920-1935, when Prosper Ricard directed the “Service des Arts Indigènes”. It aims to shed light on the motives behind the creation of these museums and questions the role played by these institutions in the context of a political instrumentalization of arts by French Resident Lyautey. The purpose of this article is thus to analyse the emergence of an original museum model inherited from the protection measures of native arts initiated in Algeria. aiming eventually to re-consider the concept of “colonial museum”. |
| format | Article |
| id | doaj-art-aea149e9ff7c4745bd8f797af9ae4ec1 |
| institution | Kabale University |
| issn | 1952-8108 2109-9405 |
| language | fra |
| publishDate | 2018-12-01 |
| publisher | CNRS Éditions |
| record_format | Article |
| series | L’Année du Maghreb |
| spelling | doaj-art-aea149e9ff7c4745bd8f797af9ae4ec12025-01-30T09:57:12ZfraCNRS ÉditionsL’Année du Maghreb1952-81082109-94052018-12-0119375310.4000/anneemaghreb.3916La fabrique du musée d’art marocain : L’œuvre de Prosper RicardHabiba AoudiaThis article aims to study the genesis of Muslim art museums founded under the Moroccan Protectorate, mostly in the years 1920-1935, when Prosper Ricard directed the “Service des Arts Indigènes”. It aims to shed light on the motives behind the creation of these museums and questions the role played by these institutions in the context of a political instrumentalization of arts by French Resident Lyautey. The purpose of this article is thus to analyse the emergence of an original museum model inherited from the protection measures of native arts initiated in Algeria. aiming eventually to re-consider the concept of “colonial museum”.https://journals.openedition.org/anneemaghreb/3916Artistic ProtectorateLyauteyProsper RicardheritagizationMoroccan artMorocan museum. |
| spellingShingle | Habiba Aoudia La fabrique du musée d’art marocain : L’œuvre de Prosper Ricard L’Année du Maghreb Artistic Protectorate Lyautey Prosper Ricard heritagization Moroccan art Morocan museum. |
| title | La fabrique du musée d’art marocain : L’œuvre de Prosper Ricard |
| title_full | La fabrique du musée d’art marocain : L’œuvre de Prosper Ricard |
| title_fullStr | La fabrique du musée d’art marocain : L’œuvre de Prosper Ricard |
| title_full_unstemmed | La fabrique du musée d’art marocain : L’œuvre de Prosper Ricard |
| title_short | La fabrique du musée d’art marocain : L’œuvre de Prosper Ricard |
| title_sort | la fabrique du musee d art marocain l oeuvre de prosper ricard |
| topic | Artistic Protectorate Lyautey Prosper Ricard heritagization Moroccan art Morocan museum. |
| url | https://journals.openedition.org/anneemaghreb/3916 |
| work_keys_str_mv | AT habibaaoudia lafabriquedumuseedartmarocainlœuvredeprosperricard |