A preliminary investigation into self-compassion and compassion-based intervention for mental health in the performing arts

ObjectivesVery little is known about the role of self-compassion on performing artists’ mental health. This project had two primary aims. First, was to examine the relationship between self-compassion and mental health among performing artists in dance, music, and acting. Second, was to test a brief...

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Main Authors: Courtney C. Walton, James N. Kirby, Sabrina McKenzie, Caroline X. Gao, Rosemary Purcell, Simon M. Rice, Margaret S. Osborne
Format: Article
Language:English
Published: Frontiers Media S.A. 2025-02-01
Series:Frontiers in Psychology
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Online Access:https://www.frontiersin.org/articles/10.3389/fpsyg.2025.1512114/full
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author Courtney C. Walton
James N. Kirby
Sabrina McKenzie
Sabrina McKenzie
Caroline X. Gao
Caroline X. Gao
Rosemary Purcell
Rosemary Purcell
Simon M. Rice
Simon M. Rice
Margaret S. Osborne
Margaret S. Osborne
author_facet Courtney C. Walton
James N. Kirby
Sabrina McKenzie
Sabrina McKenzie
Caroline X. Gao
Caroline X. Gao
Rosemary Purcell
Rosemary Purcell
Simon M. Rice
Simon M. Rice
Margaret S. Osborne
Margaret S. Osborne
author_sort Courtney C. Walton
collection DOAJ
description ObjectivesVery little is known about the role of self-compassion on performing artists’ mental health. This project had two primary aims. First, was to examine the relationship between self-compassion and mental health among performing artists in dance, music, and acting. Second, was to test a brief compassion-based intervention to establish proof of concept for future work.MethodTwo sequential studies recruiting Australian performing artists were conducted. In Study 1, a cross-sectional online survey of performing artists explored patterns of association between self-compassion and mental health. In Study 2, participants engaged with a brief compassion-based intervention including an online workshop and daily meditation over 3 weeks. Descriptive pre-post data combined with thematic analysis of semi-structured interview transcripts identified performer perspectives of the compassion-based intervention.ResultsIn Study 1, 211 participants were included in the final cross-sectional analysis, which showed that the intention to be self-compassionate was associated with lower symptoms of depression and anxiety, and higher wellbeing, even while controlling for several key demographic and risk factors (stress, alcohol use, and body appreciation). In Study 2, ten participants completed the intervention with medium-large improvements in self-compassion and small improvements in wellbeing and body appreciation. Qualitative data demonstrated that participants experienced self-compassion to be helpful, however fears of lowering standards existed. Participants feedback from this study can now directly inform future compassion-based interventions among performers.ConclusionWhile acknowledging the small sample size, these findings suggest that self-compassion may help performing artists manage various forms of internal, interpersonal, and environmental distress. These findings warrant progression to controlled evaluation of compassion-based interventions within larger samples of performing artists.
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spelling doaj-art-ae5069ffd7de4f049ffb33f02746a8c32025-02-06T07:10:26ZengFrontiers Media S.A.Frontiers in Psychology1664-10782025-02-011610.3389/fpsyg.2025.15121141512114A preliminary investigation into self-compassion and compassion-based intervention for mental health in the performing artsCourtney C. Walton0James N. Kirby1Sabrina McKenzie2Sabrina McKenzie3Caroline X. Gao4Caroline X. Gao5Rosemary Purcell6Rosemary Purcell7Simon M. Rice8Simon M. Rice9Margaret S. Osborne10Margaret S. Osborne11Melbourne School of Psychological Sciences, The University of Melbourne, Melbourne, VIC, AustraliaSchool of Psychology, University of Queensland, Brisbane, QLD, AustraliaMelbourne School of Psychological Sciences, The University of Melbourne, Melbourne, VIC, AustraliaMelbourne Conservatorium of Music, The University of Melbourne, Melbourne, VIC, AustraliaOrygen, Melbourne, VIC, AustraliaCentre for Youth Mental Health, The University of Melbourne, Melbourne, VIC, AustraliaOrygen, Melbourne, VIC, AustraliaCentre for Youth Mental Health, The University of Melbourne, Melbourne, VIC, AustraliaOrygen, Melbourne, VIC, AustraliaCentre for Youth Mental Health, The University of Melbourne, Melbourne, VIC, AustraliaMelbourne School of Psychological Sciences, The University of Melbourne, Melbourne, VIC, AustraliaMelbourne Conservatorium of Music, The University of Melbourne, Melbourne, VIC, AustraliaObjectivesVery little is known about the role of self-compassion on performing artists’ mental health. This project had two primary aims. First, was to examine the relationship between self-compassion and mental health among performing artists in dance, music, and acting. Second, was to test a brief compassion-based intervention to establish proof of concept for future work.MethodTwo sequential studies recruiting Australian performing artists were conducted. In Study 1, a cross-sectional online survey of performing artists explored patterns of association between self-compassion and mental health. In Study 2, participants engaged with a brief compassion-based intervention including an online workshop and daily meditation over 3 weeks. Descriptive pre-post data combined with thematic analysis of semi-structured interview transcripts identified performer perspectives of the compassion-based intervention.ResultsIn Study 1, 211 participants were included in the final cross-sectional analysis, which showed that the intention to be self-compassionate was associated with lower symptoms of depression and anxiety, and higher wellbeing, even while controlling for several key demographic and risk factors (stress, alcohol use, and body appreciation). In Study 2, ten participants completed the intervention with medium-large improvements in self-compassion and small improvements in wellbeing and body appreciation. Qualitative data demonstrated that participants experienced self-compassion to be helpful, however fears of lowering standards existed. Participants feedback from this study can now directly inform future compassion-based interventions among performers.ConclusionWhile acknowledging the small sample size, these findings suggest that self-compassion may help performing artists manage various forms of internal, interpersonal, and environmental distress. These findings warrant progression to controlled evaluation of compassion-based interventions within larger samples of performing artists.https://www.frontiersin.org/articles/10.3389/fpsyg.2025.1512114/fullmusiciansactorsdancerswellbeingmeditationmixed-methods
spellingShingle Courtney C. Walton
James N. Kirby
Sabrina McKenzie
Sabrina McKenzie
Caroline X. Gao
Caroline X. Gao
Rosemary Purcell
Rosemary Purcell
Simon M. Rice
Simon M. Rice
Margaret S. Osborne
Margaret S. Osborne
A preliminary investigation into self-compassion and compassion-based intervention for mental health in the performing arts
Frontiers in Psychology
musicians
actors
dancers
wellbeing
meditation
mixed-methods
title A preliminary investigation into self-compassion and compassion-based intervention for mental health in the performing arts
title_full A preliminary investigation into self-compassion and compassion-based intervention for mental health in the performing arts
title_fullStr A preliminary investigation into self-compassion and compassion-based intervention for mental health in the performing arts
title_full_unstemmed A preliminary investigation into self-compassion and compassion-based intervention for mental health in the performing arts
title_short A preliminary investigation into self-compassion and compassion-based intervention for mental health in the performing arts
title_sort preliminary investigation into self compassion and compassion based intervention for mental health in the performing arts
topic musicians
actors
dancers
wellbeing
meditation
mixed-methods
url https://www.frontiersin.org/articles/10.3389/fpsyg.2025.1512114/full
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