Miguel de Molina dans Ésta es mi vida (1952) de Román Viñoly Barreto : le cinéma, de concert avec la musique, ou les multiples possibles du vrai et du faux

This article aims to show how Román Viñoly Barreto's Argentine feature-length fiction film Ésta es mi vida (1952) is an example of a specific, inventive and sophisticated cinematographic staging of the art of music transubstantiated on the big screen. It also coincides with the second career of...

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Bibliographic Details
Main Author: Emmanuel Le Vagueresse
Format: Article
Language:fra
Published: Pléiade (EA 7338) 2024-07-01
Series:Itinéraires
Subjects:
Online Access:https://journals.openedition.org/itineraires/14943
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