Zwischen logos und icon

In his contribution "Zwischen logos und icon. Gegenwartskunst als Anders-Ort der Theologie" (Between logos and icon. Contemporary art as other-place of theology) Ulrich Engel OP examines, starting from the iconic turn, the question what theology (which is primarily committed to the biblic...

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Main Author: Ulrich Engel
Format: Article
Language:deu
Published: Catholic Academy in Warsaw 2021-09-01
Series:Warszawskie Studia Teologiczne
Subjects:
Online Access:https://czasopismowst.pl/index.php/wst/article/view/292
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author Ulrich Engel
author_facet Ulrich Engel
author_sort Ulrich Engel
collection DOAJ
description In his contribution "Zwischen logos und icon. Gegenwartskunst als Anders-Ort der Theologie" (Between logos and icon. Contemporary art as other-place of theology) Ulrich Engel OP examines, starting from the iconic turn, the question what theology (which is primarily committed to the biblical WORD) can learn from IMAGES. Following Foucault's theory of heterotopias (other-places), the study focuses on works of contemporary visual art, which as other-places can expose and make visible hidden, overlooked, misunderstood mechanisms of exclusion. Four artistic positions (Pavel Büchler, Boris Mikhailov, Kris Martin, and Paloma Varga Weisz) are used to show how they cite Christian iconographic traditions and revisit them in a contemporary way. In the omissions and gaps that become apparent in these and structurally similar adaptations, de-emphasizations, and continuations, something appears that is already theologically inherent in the biblical prohibition of images. The Jewish prohibition of images is not an absolute one. For it reminds us that all positively painted images of God always need the theological negative sign, the aesthetic "empty space" in the image itself.  
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spelling doaj-art-ad33d3f5f54b475890f24fa7c2a2837a2025-02-03T18:48:57ZdeuCatholic Academy in WarsawWarszawskie Studia Teologiczne0209-37822719-75302021-09-0134110.30439/WST.2021.1.3Zwischen logos und iconUlrich Engel0Institut M.-Dominique Chenu Berlin, Germany In his contribution "Zwischen logos und icon. Gegenwartskunst als Anders-Ort der Theologie" (Between logos and icon. Contemporary art as other-place of theology) Ulrich Engel OP examines, starting from the iconic turn, the question what theology (which is primarily committed to the biblical WORD) can learn from IMAGES. Following Foucault's theory of heterotopias (other-places), the study focuses on works of contemporary visual art, which as other-places can expose and make visible hidden, overlooked, misunderstood mechanisms of exclusion. Four artistic positions (Pavel Büchler, Boris Mikhailov, Kris Martin, and Paloma Varga Weisz) are used to show how they cite Christian iconographic traditions and revisit them in a contemporary way. In the omissions and gaps that become apparent in these and structurally similar adaptations, de-emphasizations, and continuations, something appears that is already theologically inherent in the biblical prohibition of images. The Jewish prohibition of images is not an absolute one. For it reminds us that all positively painted images of God always need the theological negative sign, the aesthetic "empty space" in the image itself.   https://czasopismowst.pl/index.php/wst/article/view/292Contemporary ArtPavel BüchlerBoris MikhailovKris MartinPaloma Varga Weiszlogos
spellingShingle Ulrich Engel
Zwischen logos und icon
Warszawskie Studia Teologiczne
Contemporary Art
Pavel Büchler
Boris Mikhailov
Kris Martin
Paloma Varga Weisz
logos
title Zwischen logos und icon
title_full Zwischen logos und icon
title_fullStr Zwischen logos und icon
title_full_unstemmed Zwischen logos und icon
title_short Zwischen logos und icon
title_sort zwischen logos und icon
topic Contemporary Art
Pavel Büchler
Boris Mikhailov
Kris Martin
Paloma Varga Weisz
logos
url https://czasopismowst.pl/index.php/wst/article/view/292
work_keys_str_mv AT ulrichengel zwischenlogosundicon