Traduire le « vertige de l’expansion »
With a comparative approach connecting four Italian translations of Madame Bovary, this article analyzes, through the translators’ various choices, the “expansion vertigo” that pervades the novel’s verbal representation by inscribing a depth that unfolds on the verticality axis. The selected passage...
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| Format: | Article |
| Language: | fra |
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Institut des Textes & Manuscrits Modernes (ITEM)
2015-12-01
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| Series: | Flaubert: Revue Critique et Génétique |
| Online Access: | https://journals.openedition.org/flaubert/2458 |
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| _version_ | 1832095842568241152 |
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| author | Laura Santone |
| author_facet | Laura Santone |
| author_sort | Laura Santone |
| collection | DOAJ |
| description | With a comparative approach connecting four Italian translations of Madame Bovary, this article analyzes, through the translators’ various choices, the “expansion vertigo” that pervades the novel’s verbal representation by inscribing a depth that unfolds on the verticality axis. The selected passages are structured around a paradigm that evokes the color “blue”, a chromatic presence that in all its shades envelops Emma’s life. Looking at the Italian editions and studying more closely these “secondary” texts, we realize that a translation can be “a moment of a text in motion” (Meschonnic), an experience of an energeia fertilizing writing and even language. |
| format | Article |
| id | doaj-art-ac24af694bf84ec1824c6c7a69b1ea01 |
| institution | Kabale University |
| issn | 1969-6191 |
| language | fra |
| publishDate | 2015-12-01 |
| publisher | Institut des Textes & Manuscrits Modernes (ITEM) |
| record_format | Article |
| series | Flaubert: Revue Critique et Génétique |
| spelling | doaj-art-ac24af694bf84ec1824c6c7a69b1ea012025-02-05T16:29:18ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912015-12-011410.4000/flaubert.2458Traduire le « vertige de l’expansion »Laura SantoneWith a comparative approach connecting four Italian translations of Madame Bovary, this article analyzes, through the translators’ various choices, the “expansion vertigo” that pervades the novel’s verbal representation by inscribing a depth that unfolds on the verticality axis. The selected passages are structured around a paradigm that evokes the color “blue”, a chromatic presence that in all its shades envelops Emma’s life. Looking at the Italian editions and studying more closely these “secondary” texts, we realize that a translation can be “a moment of a text in motion” (Meschonnic), an experience of an energeia fertilizing writing and even language.https://journals.openedition.org/flaubert/2458 |
| spellingShingle | Laura Santone Traduire le « vertige de l’expansion » Flaubert: Revue Critique et Génétique |
| title | Traduire le « vertige de l’expansion » |
| title_full | Traduire le « vertige de l’expansion » |
| title_fullStr | Traduire le « vertige de l’expansion » |
| title_full_unstemmed | Traduire le « vertige de l’expansion » |
| title_short | Traduire le « vertige de l’expansion » |
| title_sort | traduire le vertige de l expansion |
| url | https://journals.openedition.org/flaubert/2458 |
| work_keys_str_mv | AT laurasantone traduirelevertigedelexpansion |