À mourir de peur/rire : The Great God Pan d’Arthur Machen (1894)
The Great God Pan, Machen’s first major success, is a dark tale that exploits late Victorian anxieties about scientific progress, especially the post-Darwinian fear/fantasy of regression to bestial levels. The text seems intent on making the reader’s flesh creep, and yet many early reviewers stated...
Saved in:
Main Author: | Sophie Mantrant |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses Universitaires de la Méditerranée
2008-12-01
|
Series: | Cahiers Victoriens et Edouardiens |
Online Access: | https://journals.openedition.org/cve/8496 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
« A unique aura of ancient, elemental evil » : les migrations du feu dans The Great God Pan (1894) d’Arthur Machen
by: Anne-Sophie Leluan-Pinker
Published: (2010-06-01) -
« All London was one grey temple of an awful rite » : Londres dans The Hill of Dreams d’Arthur Machen (1907)
by: Sophie Mantrant
Published: (2013-03-01) -
Un roman néo-gothique : The Three Impostors d’Arthur Machen (1895)
by: Claire Wrobel
Published: (2008-12-01) -
Pagan Revenants in Arthur Machen’s Supernatural Tales of the Nineties
by: Sophie Mantrant
Published: (2014-09-01) -
Essai et fiction : à propos de Hieroglyphics, a Note upon Ecstasy in Literature (Arthur Machen, 1902)
by: Sophie Mantrant
Published: (2010-06-01)