Du blanc au gris, du gris au noir : les métamorphoses de Goya
Between rural settings and royal portraits, social satires and nightmarish scenes, it is impossible to grasp the abundant work of a multi-faceted Goya in a single glance. Is this complexity only the result of the dual production that characterised his entire career: official paintings on the one han...
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| Format: | Article |
| Language: | English |
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Centre de Recherches Ibériques et Ibéro-Américaines
2024-02-01
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| Series: | Cahiers de Civilisation Espagnole Contemporaine |
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| Online Access: | https://journals.openedition.org/ccec/15655 |
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| _version_ | 1832581469794467840 |
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| author | Maud Le Guellec |
| author_facet | Maud Le Guellec |
| author_sort | Maud Le Guellec |
| collection | DOAJ |
| description | Between rural settings and royal portraits, social satires and nightmarish scenes, it is impossible to grasp the abundant work of a multi-faceted Goya in a single glance. Is this complexity only the result of the dual production that characterised his entire career: official paintings on the one hand, free works on the other? In reality, beyond this single explanation, Goya's life is marked by three major fractures, which largely explain the metamorphoses in his creation. This article will look back at these three major events that turned his artistic world upside down and show how each of them had irreversible repercussions on his paintings, engravings and drawings. |
| format | Article |
| id | doaj-art-aa6d09e72302457386e933e1ae83a964 |
| institution | Kabale University |
| issn | 1957-7761 |
| language | English |
| publishDate | 2024-02-01 |
| publisher | Centre de Recherches Ibériques et Ibéro-Américaines |
| record_format | Article |
| series | Cahiers de Civilisation Espagnole Contemporaine |
| spelling | doaj-art-aa6d09e72302457386e933e1ae83a9642025-01-30T10:11:18ZengCentre de Recherches Ibériques et Ibéro-AméricainesCahiers de Civilisation Espagnole Contemporaine1957-77612024-02-013110.4000/ccec.15655Du blanc au gris, du gris au noir : les métamorphoses de GoyaMaud Le GuellecBetween rural settings and royal portraits, social satires and nightmarish scenes, it is impossible to grasp the abundant work of a multi-faceted Goya in a single glance. Is this complexity only the result of the dual production that characterised his entire career: official paintings on the one hand, free works on the other? In reality, beyond this single explanation, Goya's life is marked by three major fractures, which largely explain the metamorphoses in his creation. This article will look back at these three major events that turned his artistic world upside down and show how each of them had irreversible repercussions on his paintings, engravings and drawings.https://journals.openedition.org/ccec/15655SpainFrancisco de GoyaPaintEngravingDrawing |
| spellingShingle | Maud Le Guellec Du blanc au gris, du gris au noir : les métamorphoses de Goya Cahiers de Civilisation Espagnole Contemporaine Spain Francisco de Goya Paint Engraving Drawing |
| title | Du blanc au gris, du gris au noir : les métamorphoses de Goya |
| title_full | Du blanc au gris, du gris au noir : les métamorphoses de Goya |
| title_fullStr | Du blanc au gris, du gris au noir : les métamorphoses de Goya |
| title_full_unstemmed | Du blanc au gris, du gris au noir : les métamorphoses de Goya |
| title_short | Du blanc au gris, du gris au noir : les métamorphoses de Goya |
| title_sort | du blanc au gris du gris au noir les metamorphoses de goya |
| topic | Spain Francisco de Goya Paint Engraving Drawing |
| url | https://journals.openedition.org/ccec/15655 |
| work_keys_str_mv | AT maudleguellec dublancaugrisdugrisaunoirlesmetamorphosesdegoya |